I’m Putin, I’m the US president

I’m Putin, I’m the US president

I am Russia, hear me roar, I sit in the White House

by Jon Rappoport

July 18, 2017

Note: In the following fantasy, I’m quoting an actual NY Times article that reveals an astonishing Clinton-Putin connection via a uranium deal…

I’m anticipating an apocalyptic Congressional hearing, where the truth comes out. Perhaps Maxine Waters is talking, or Nancy Pelosi—you know, people who can no longer control what is coming out of their mouths—

“There is no doubt that Russia colluded with Trump to swing the election to him, so he’s not the real president, Hillary Clinton is the real president (brain short-circuit occurs)…on April 23, 2015, the NY Times ran a story under the headline: Cash Flowed to Clinton Foundation Amid Russian Uranium Deal. I quote the Times: ‘The sale gave the Russians control of one-fifth of all uranium production capacity in the United States’.”

“Trump is the enemy. His people talked with Russians. Russians talked with them (brain short-circuit)…I quote the Times: ‘But the untold story behind that story is one that involves not just the Russian president, but also a former American president [Bill Clinton] and a woman [Hillary Clinton] who would like to be the next one’.”

“Trump is Russian. He worked for the KGB for a decade (brain short-circuit)…I quote the Times: ‘At the heart of the tale are several men, leaders of the Canadian mining industry, who have been major donors to the charitable endeavors of former President Bill Clinton and his family. Members of that group built, financed and eventually sold off to the Russians a company that would become known as Uranium One’.”

“Trump is a cousin of Lenin and Karl Marx. He was a boyhood pal of Stalin (brain short-circuit)…I quote the Times: ‘Frank Giustra…a mining financier, has donated $31.3 million to the foundation run by former President Bill Clinton…Since [US] uranium is considered a strategic asset, with implications for national security, the deal [to sell Uranium One and US uranium to Putin] had to be approved by a committee composed of representatives from a number of United States government agencies. Among the agencies that eventually signed off was the State Department, then headed by Mr. Clinton’s wife, Hillary Rodham Clinton’.”

“Trump helped overthrow the Czar in Russia and establish the center of worldwide Communism (brain short-circuit)…I quote the Times: ‘As the Russians gradually assumed control of Uranium One in three separate transactions from 2009 to 2013, Canadian records show, a flow of cash made its way to the Clinton Foundation. Uranium One’s chairman used his family foundation to make four donations totaling $2.35 million. Those contributions were not publicly disclosed by the Clintons, despite an agreement Mrs. Clinton had struck with the Obama White House to publicly identify all donors. Other people with ties to the company made donations as well’.”

“Trump is from Jupiter. The Jupiterians have a long–standing treaty with Putin. Trump’s father is from Jupiter (brain short-circuit)…I quote from the Times: ‘And shortly after the Russians announced their intention to acquire a majority stake in Uranium One, Mr. Clinton received $500,000 for a Moscow speech from a Russian investment bank with links to the Kremlin that was promoting Uranium One stock’.”

CNN would report this apocalyptic Congressional hearing thusly: “President Trump was exposed as a KGB agent from Jupiter. According to several sources who spoke off the record because they work for federal agencies, a British former MI-6 agent has documents proving Mr. Trump’s birth on Jupiter…”

CNN commentator Chris Cuomo would follow up: “We, the media, can have access to the Trump-Jupiter documents. You, the public, are not permitted to read them. We read them and tell you what they mean. So keep your mouths shut and keep looking at the screen, keep looking at me and I will tell you what these documents mean.”


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Man goes through the reality portal

Man goes through the reality portal

by Jon Rappoport

July 12, 2017

Wilson was not the first they sent, but he got through. It was dark and murky, as he’d been told. It was somewhat grimy in the quality of the atmosphere. It gave the feeling of a tunnel, but he doubted he was bounded. It was a somewhere he had dreamed about when he was a child.

Then he was in a large room with a very high ceiling, and the lights were rather bright. He thought it was a lab. There were several men standing around. They looked educated.

“I’m Warren,” one of the men said, stepping forward. Wilson shook his hand. “I want to show you this,” Warren said, pointing to a large object in a corner that resembled, perhaps, a machine that had been burned in a fire. Its uneven exterior was blackened.

“Now, listen,” Warren said. “What you’re seeing is a representation. It’s a thing in itself, but it’s also symbolic. I can’t explain how. It would take too long. But it’s not an implant, it’s an interface of sorts. It has an attraction for minds. And more important, minds are drawn to it. It’s a problem-making device. That’s all it does. It makes problems of all kinds. Endlessly. You put this thing in your mind and it changes your attitude, shall we say. From that moment on, you work off of a template of one problem after another. It’s a problem mechanism. It has a simulacrum of life in it, but that’s an illusion. We believe that. It almost seems to be a guide. It’s guiding you into a realm of inner space, or it changes your own inner space. It really and actually is an ARCHETYPE. That’s what it is. Get that clear. It’s an archetype of a way of functioning. Archetypes are independent, you could say, but they’re also looking for minds to nourish them. And minds want to be ADDED TO. That’s the best way I can explain this. It’s not absolutely correct, but it’s close enough. This thing is an archetype of great dimensions, giant dimensions—to be more precise, it gives the appearance of being colossal. That’s what people want, something colossal. Do you see? We want to grab hold of something of size. This has a certain majesty about it. Now if this archetype is present in a billion minds, that’s going to change the whole nature of civilization. I hope you can see that. I hope you can understand that. Because that’s what we’re dealing with. Conversely, if those billion people found a way to offload this archetype, everything would change. I hope you can see that, too. This is what we’re doing here. We’re trying to figure out a way to offload this archetype. Imagine it. A human without that archetype. A human liberated from it. Are you following me? You’re not just some human drone and idiot, are you? All right, so the archetype is finite. It has boundaries. It doesn’t go on forever, but it sort of pretends it does. It pretends it’s endless. You have to imagine it as finite. You have to see it as separate from yourself. IF YOU CAN, you begin to glimpse what it would be like if you didn’t have this archetype. You can begin to see how things would be different. Very, very different. If I’m a problem to you right now, then you’re looking for a solution, an answer. And vice versa. Do you understand? Whatever is a problem to you—and most everything is—you’re looking for a solution. What else would you be looking for? But suppose you and I are not problematic IN ANY WAY to each other. Then the situation would be quite different. There would be no situation. We can’t predict what would happen then, but it would be NEW. We would be different. Everything we did or said would be new. The archetype would disintegrate for us. It would go away. You’ve come to a place where we are researching THE GREAT UNLOADING. And the first thing we need to unload is this archetype. Are you with me? Do you want to stay and help us?”

Then Wilson was back where he started, in a bunker under Ft. Quint, with his military handlers. He held up his hand. “Before you ask me any questions,” he said, “I want you to know I scored a big fat blank. I did make it to a place. It was a small forest. I was there alone. I walked for a little while and didn’t see anyone. What was I supposed to see? Do you know? It was pretty boring.”

A colonel stepped forward and said, “That’s all right, son. We’ll prep you and send you again in a few weeks. Every little bit helps. The thing is, we’ve got ourselves a very large problem and we’re using our best people to help us with it. You’re one of the best. So don’t feel bad.”

“What’s the problem?” Wilson said. “You haven’t briefed me on it.”

The colonel nodded. “That’s the thing. We don’t know what it is. We’re trying to find out.”

“How do you know you have a problem if you don’t know what it is?” Wilson said.

The colonel frowned. “That’s another problem we’re working on.”


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Maps of consciousness as a form of mind control

Maps of consciousness as a form of mind control

by Jon Rappoport

July 9, 2017

Let’s start here. There are maybe five people on the planet, if that, who genuinely want to contemplate existence and DO NOTHING ELSE.

Everyone else WANTS TO DO SOMETHING.

Since civilization dawned on Earth, various teachers and groups have been making maps about consciousness and how it works and operates. A thousand groups and a million teachers, and they all have some kind of map of consciousness that supposedly yields up crucial insight.

Let’s cut to the chase. If a person is using one of those maps and finds it helps him DO WHAT HE TRULY WANTS TO DO in his life, GOOD.

Good, assuming he isn’t kidding himself about what he really wants to do.

If he uses a map to sit around and do very little, and he isn’t one of those five people I mentioned at the top, then what good is the map? It may seem incredibly true and marvelous, but so what?

I don’t care what a person believes, and I don’t care whether he changes what he believes on Tuesday and then changes it again or Thursday. If what he believes on Tuesday helps him do what he truly wants to do—for two days—and then what he believes on Thursday helps him do what he truly wants to do until next Tuesday, splendid.

If a person has a different FINAL AND IRREFUTABLE map of consciousness for every day of the week, and they all help him do what he truly wants to do in life, on those days, good for him.

The map doesn’t matter. The inner territory of individual consciousness matters, and in that territory there is a deep desire to do something; TO CREATE SOMETHING.

Each individual is an artist of reality. He wants to invent a reality and make it fact in the world. ACTION.

There are many, many people who have maps and do very little. They’re map makers. Or they’re borrowing other people’s maps and poring over them. None of this contributes to the action of creating what they want to create. So their days are rather quiet and empty. Pointedly ask them whether they’re satisfied, and if they’re honest, they’ll say no.

The investigation of consciousness, the expression of consciousness—all the questions sages and philosophers have been asking and answering forever—are useful to individuals or they’re not. If they’re not, they’re functioning as a form of mind control.

So what? What difference does it make? It makes a difference because, for centuries, religious and spiritual leaders have been using maps to trap followers, not liberate them. Any such map or picture of reality that doesn’t seek to give the individual more freedom, more responsibility, more creative power, more independence, more rational capability seeks to give him less of these things. And in many cases, the “less” amounts to passive acceptance of a picture of reality that puts a person in a peculiar trance, where he does nothing while believing he knows everything.

He knows the picture of reality he has been handed. He never really tests that picture by finding out whether it helps him do what he truly wants to do in his life. THE PICTURE IS A STAND-IN AND A SUBSTITUTE FOR WHAT HE WOULD REALLY WANT TO DO AND CREATE IN HIS LIFE, IF HE KNEW WHAT THAT WAS.

Now we get down to it; various elites have always painted pictures of reality for everyone else. “Here, this is reality. This is all-encompassing reality. The reality and future you might independently create for yourself are irrelevant.”

There is one more kicker. If a person went out and poured all his energy into bringing about the reality and future he truly wanted, he would eventually discover, as a “side effect,” the answers to the most profound questions he has about life and existence. On his own.

Instead of the answers that come by way of the reality map makers.

THAT is the situation.

For the past 35 years, that has been the bottom line of my work, my articles and lectures and books, and especially my Matrix collections: the liberation of the individual on his own terms, not anyone else’s.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

CIA Memories: a fragment of a novel

CIA Memories: a fragment of a novel

by Jon Rappoport

July 6, 2017

This is a fragment of a work-in-progress, a novel titled CIA Memories. I’ve been writing it, on and off, for almost 10 years now. This particular piece involves the creation of an archetype. Here it is:

Waverly. Some people at the Agency thought of him as a go-to guy, a problem solver. The trouble was he could be hard to find. Like a mother a lost child was looking for in a crowded mall. You never knew when he would show up. Or from where.

A few Agency folks thought of him as a twin. When he came around, they said he looked just like them. Hilarious.

My theory and understanding of Waverly is that he is a construct, a very complex one, who arose from numerous meetings and brainstorming sessions and conferences and secret chats.

The obsession to present problems and solve them at the Agency brought Waverly into being, unconsciously, as the problem solver. THEY CREATED HIM.

You could say he was a ghost or a sub-type, but when he walked into your office and sat down across from you and smiled, you were there with him. You didn’t want to be anywhere else. If you were the Night, he was the Day. And vice versa. He was what you didn’t have.

Sounds ridiculous, doesn’t it? But Waverly is that creature.

I’ve done my own research on this character, and I’ve come to even more extensive conclusions. Waverly is you, the reader. That’s right. You, who are reading this, were brought into being by the CIA. That’s a hard one to accept. I know. You’re Waverly, I’m Waverly, we’re all Waverly. We’re all virtual creatures created by the CIA.

And if we win our war against the Agency, what happens to Waverly? What happens to us? Do we disappear?

I don’t think so. Even though we started out as virtual, we’re not virtual anymore. We’ve grown into our own independent creatures, with will, with freedom, with intelligence, with imagination. We’re becoming more powerful, day by day.

As we become more powerful, the CIA becomes weaker. We are the solution the CIA has been looking for. The grand solution. But when that solution takes over, the problem goes away. The CIA is the problem and the problem generating machine. A SOLUTION DISPENSES WITH THE PROBLEM.

Once upon a time, there was a problem: how could humans get off the Earth? When airplanes were finally invented, the problem went away. It was no longer something people thought about.

On some level, the CIA is aware of the situation. On some level, they know they could go away. So they keep generating problems that need answers, any answers. It doesn’t matter how good or how crazy the solutions are. They have to keep that machine operating. They have to keep finding problems that need resolutions.

We, on the other hand, can create situations that get out ahead of the problems…

The CIA feeds intelligence to key groups and persons inside the government and in corporations. In other words, the Agency feeds problem after problem to the high echelons of control. The CIA is that type of consciousness. It is bent. It’s always been bent. It attracts people who are obsessed with dangerous problems and fantasies. Thus, Waverly came into being. He was a collective, and all of us were sprung from that collective…but now the trend has reversed. We have been separating. Each one of us.

Those who are interested in genuine definitions of sanity and insanity would do well to think about this.


power outside the matrix

(To read about Jon’s mega-collection, Power Outside The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Your power is coming

Your power is coming

by Jon Rappoport

July 1, 2017

I could ease into this by saying your power stems from the ability to imagine new solutions to problems—and that’s true—but I want to start somewhere else right now.

Your power stems from the ability to conceive of a future that has no end.

And when you do this, of course you’re in that future, because try as you might, you don’t go away into nothing. You don’t end. That may come as a shock, or you may already know this.

ENDLESS is a fantastic thing to contemplate, especially when you apply it to WHATEVER YOU’RE DOING IN LIFE THAT YOU REALLY WANT TO DO.

For example, a writer writes. He writes endlessly. He spins dreams and stories and ideas and…much more than that. He turns reality upside down and inside out and then he comes back to reality and analyzes it down to its core and then the core below that and the core below that…and then he makes up another reality….

And beyond THAT, he writes. Who knows what he’s going to write tomorrow or a year from now or ten thousand years from now? Who know what forms he’s going to invent and un-invent and connect? That’s the fascination. And who knows who’s going to read what he writes….and what that means…

A writer is hanging on thunder and taking up residence in lightning and dispersing silver rain down on the earth in a future age and a past age, he crossing time, he’s waking up to a day in another universe, he’s always himself and he’s a million other things, he’s writing for himself and for nobody and everybody and there is no way to describe exactly who he is writing for…

There is always more to write, so the writer is anchored in THAT and he’s also out on the open sea. Always more, endlessly. Always more to do. If he gets tired of writing in one language he can write in another.

ENDLESS is a concept that is not embraced by society, and that is a good thing. The writer never tried to belong. He never tried to fit himself into a shelf in a room in a house. He is the house. He’s many houses.

Let’s look at ENDLESS from another angle. A person is looking at a painting. He’s sitting there looking at a painting he doesn’t understand. So what does he do? He’s going to be looking at that painting endlessly. So he goes through the many, many changes he goes through to interpret reality, to interpret reality in general. He sees things this way and that way and another way and another way…and eventually he exhausts all the ways he looks at reality, all the provincial ways, and finally he’s out in the open and he’s seeing in a way he never saw before…and THIS is when the exploration really begins…he has shed all the conventional ways of interpreting reality….he’s past that now…he’s past his own culture…he’s past the formal accepted ways of seeing…this is called magic. This is when magic begins to take hold and shake him like a tree. This is when he hears the bell ring and he wakes up. This is not a drug. This is not some teacher walking in the door and spouting great learning from ancient times. This is not a system. This is not believing in something. This is his own experience. I KEEP SAYING THIS AND I’LL KEEP SAYING IT, THE MAGIC COMES WHEN YOU MAKE YOUR OWN INTERPRETATIONS OF YOUR OWN EXPERIENCE. But it doesn’t come right away. It doesn’t come after five minutes. I know some great teachers who have much wisdom and who can’t move past the gate because they think they already know everything they’re going to know, and if they got hold of this thing called ENDLESS they would open the gate and walk through and then they would know all there is to know AGAIN and if they kept walking they would find something brand new and once again they would know everything there is to know and so on and so forth until they would realize…what? It’s hard to say. They would realize that they’re bigger than they thought they were and then they would think about that and see they’re both experiencing and inventing reality and they’re in the map of magic, they’re in the map and outside the map and they’re also making up the map. POWER. And then they would keep on going…


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Suppose you were the government spending money you don’t have?

Suppose you were the government spending what you don’t have?

by Jon Rappoport

July 1, 2017

The state government of Illinois is heading into bankruptcy. California has present and future liabilities of close to $500 billion. The federal government of the US has been underwater since (pick a date from the remote past).

Suppose you were the government.

You’re on a buying spree. You purchase a Ferrari and a Pacific Island and five monster yachts, and pretty soon all your cards are maxed out and your bank account shows a hefty negative balance. You consider the situation unfair. You should be able to spend indefinitely.

So you arrange loans with shady characters, and you also go into your garage where you have a printing press. You turn out money. Day after day. You use the fake money to pay back a few of the more pressing loans—the ones where big guys show up at your door with weapons.

To gain moral and other types of support, you give away money to all sorts of people in your city, including the mayor and the cops, but also to people who are poor and don’t have printing presses. You pay for schools and parks and new corporate projects. You fund far-flung companies that build tanks and planes. You pay for people to come to your country from all over the world.

You’re in hock up to your eyeballs, but you stay steady, because you can keep borrowing and printing money. However, you notice that no matter how much cash you give away, there are more and more people who want money from you. They see you have it or can manufacture it, and they want it.

So you come to a logical conclusion. Why keep figuring out who to give money to, when you can give it to everybody on a regular basis? You’ll guarantee a universal income. Any person who can fog a mirror with his breath will receive a check every month to pay for housing and food.

That should do it.

But it doesn’t.

Many, many people who are receiving checks want more. If you’re giving them what you’re giving them, why can’t you invent more to give them? The whole system is arbitrary. What difference does it make whether the monthly check is X or Y?

Now things begin to get slippery. The big creditors with guns aren’t coming to your door anymore. Instead, there are mobs out in the street in front of your house. They want, for starters, double what you’re giving them. Some of them, in fact, want to change places with you. It’s matter of justice. You should have to live on their checks, and they should be able to take over your printing press.

You hire the biggest PR agency in the world. How can I sell a ceiling on how much free money other people should have, you ask. And the PR people laugh at you. Never talk about a ceiling, they say. No one will sign on to it. Just as no advocate of open borders would ever agree to a top figure on the number of immigrant allowed into the county before the doors close. It’ll never happen. People will hate you for suggesting a ceiling.

But there must be a ceiling, you say. This can’t go on forever and expand forever.

However, as soon as you say it, you think, why not? Why can’t you give away an infinite amount of money? Why can’t any person who wants to be billionaire be a billionaire? What’s the problem?

Flash forward a few years. There are now six billion billionaires on the planet. As long as everyone consents to this wild money system, and no one who has power tries to stop it, it’ll work.

Want to be a billionaire? Here’s a check.

Fifty years later, of the 1265780945090873245605467 vital production and infrastructure systems on Earth, all but a few are entirely automated, which means that virtually no one has to work. All the billionaires can spend and buy.

Of course, they’re mostly buying from other billionaires, so the whole arrangement becomes superfluous.

Therefore, everything will be free for everybody. Money will go away.

Most of the people who choose to work are busy designing new products and new technologies.

Thus, progress is assured.

Would you like to see a world like this?


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The James Comey film dream

The James Comey Film Dream

Episodes, voices, montage/collage

by Jon Rappoport

June 18, 2017

These roses we saw in the fields of honor. Old families who live on. Give us light on our branches. Deed to us something of virtue.

WE WANT THE TRUTH. CAN WE GET THAT? CAN WE TAKE OFF THE MASKS AND GET DOWN TO BUSINESS? WE WANT A SURGE OF IMAGINATION AND THE MANY FUTURES IT HOLDS. WE WANT OPEN SOCIETY, MANY PEOPLE CREATING PREVIOUSLY UNKNOWN REALITIES AND CRACKING THE EGG. CAN WE GET THAT? CAN THE “WE” BE TURNED INTO AN “I”? CAN THE ONE “I” BECOME MANY? WHAT ARE “WE” WAITING FOR? WHAT HYPNOTIC FORCE IS HOLDING PEOPLE BACK?

LIVE CNN. LIVE CNN. LIVE CNN.

Pulitzer Prize awarded to homeless playwright whose two-hour work featured a man saying, over and over and over and over, nothing else but I AM NOT THREATENING TO KILL TRUMP, I AM NOT THREATENING TO KILL TRUMP, I AM NOT THREATENING TO KILL TRUMP.

ORDER! THERE WILL BE ORDER IN THE ROOM! Let’s start this dream rolling! No more delays! We have an obligation to kick this thing into high gear. STOP STALLING! WE EITHER HAVE A DREAM ABOUT A MOVIE AND A MOVIE ABOUT A DREAM OR WE HAVE NOTHING. The last thing we need is dead air. Since the fix is in, let’s fix the fix and leap ahead. AND FOR HEAVEN’S SAKE, LET’S TRY TO APPEAR NORMAL AND SEQUENTIAL AND NOT EXPOSE THE WHOLE BUSINESS. WILL ANY SENATOR WHO IS SUFFERING FROM DEMENTIA PLEASE LEAVE THE ROOM. I HAVE A BAD FEELING. WE HAVE SOME ACTORS HERE WHO ARE INCOMPETENT. THEY’RE ILL-PREPARED. THIS MOVIE IS PAPER THIN. WHAT IS WRONG WITH YOU PEOPLE?

We have seen epics of the moon in the ancient doorways, we have noticed the shadows of years passing, we have lain in summer fields. Give us something of value.

Committee Chair Senator Gloobus sits high up and stares at his podium. He counts four ants slowly sluggishly moving about on the polished surface. But it’s hard to tell, sometimes an ant will seem to materialize out of nowhere. He has to hold it together, McCain and Pelosi are over the threshold into brain chaos obviously. He can’t go that route. Not just yet.

COMMITTEE CHAIRMAN GLOOBUS: ISN’T IT TRUE, MR. COMEY, THAT YOU’RE BASICALLY AN OPERATIVE FOR THE CLINTONS?

(General good-natured laughter in the room)

COMEY: WELL I THOUGHT EVERYONE KNEW THAT. I MEAN…DO WE REALLY NEED TO…(looks around)…SURE, YES. BUT NO, I’M NOT. I’M IN THE MIDDLE. I’M HONEST.

COMMITTEEMAN SEN. LUCENT (interrupting): IF SOMEONE WERE TRYING TO MAKE AN INVESTIGATION GO AWAY, WOULD HE FIRE YOU?

COMEY: THAT’S A FISHING EXPEDITION. IT GOES ALL THE WAY BACK TO THE GREEKS AND THE SLAUGHTER AT TROY. DO YOU SEE THE THRUST?

SEN. LUCENT: FOR EXAMPLE, LOCKHEED MARTIN.

COMEY: I WOULD INCLUDE THAT, YES. IF YOU FACTOR IN WAR. AND YOU ALWAYS HAVE TO. I MEAN WE’RE ALL LIVING IN A POOL OF WAR.

SEN. LUCENT: ARE YOU JAMES COMEY?

COMEY: YOU MEAN AS OPPOSED TO AN ARTIFACT OF THE SAME OR DIFFERENT NAME?

SEN. LUCENT: CORRECT.

COMEY: YOU’RE ASKING IF A FILM CAN BECOME AWARE OF ITSELF.

Crew struggling with many cameras and lights in an open field. The movie director is there:

OK LOOK BOYS WE’RE TRYING TO GET THIS SET UP RIGHT. WE WANT TO FILM ATOMS IN MOTION. NOBODY SAID IT WOULD BE EASY. WE WANT TO GET DOWN INSIDE THOSE ATOMS AND FIND OUT HOW THEY WORK. PENETRATE THE SUB PARTICLES AND GET INSIDE THEM TO THE CORE IF THERE IS A CORE. WHO KNOWS, MAYBE THERE ARE VOICES THAT BROADCAST MESSAGES. WHAT ARE THEY SAYING? WE WANT TO GET THAT ON TAPE.

Shack next to a hospital. The shack is a courtroom.

Judge: I’m not really a judge. Let’s get that straight. But in this movie, I have power. That cannot be denied. I come from a good family and we have many dollars and many assets. I was appointed by a president to my seat on the bench. It’s quite a throne, when you consider the benefits.

YEAH WE KNOW ALL THAT, NOTHING NEW THERE…Yeah, nothing new. I’ve been dreaming you up, Judge, for some time. It hasn’t always been easy. You should be paying me big-time for keeping all your crimes under the table. The blister attacks in Berlin, the smoke canisters in the lobby of the Central Park Hotel to cover the jewel heist, and so on. You’re in clover because of me. I see your latest caper is a lawsuit charging 8 million people with being hypnotized. Interesting. Who’s the plaintiff?

Outdoor shopping mall, two cots, sheets rumpled, small table, doctor in white coat searching the room…

Where’s my patient? I need to give him a shot. You’re the audience you’re supposed to know where he is, you can see more than I can, I’m just a little guy doing his job.

THE MOVIE DIRECTOR: DOWN INSIDE A SUB SUB PARTICLE AS TINY AS I DON’T KNOW WHAT. IT WAS QUITE A SHOCKER. BUT IT’S REAL, MAKE NO MISTAKE ABOUT IT. WE’RE MAKING ASTOUNDING DISCOVERIES. IT APPEARS THAT EVERY ATOM CONTAINS A FILM OR A PIECE OF A FILM…

Sagging bottle of perfume and a voice—so this is what you can expect ladies if you weigh over 300 pounds if you use our product a kind of listless languid tall beauty no matter who you are you’ll benefit through a transformative process our scientists developed from studying grossly obese bugs that feed on ferns in Argentina wetlands in 1947 cowboys riding through pampas and rounding up cows and horses

THE SECRET LIFE OF ATOMS LET’S TAKE 56782000000000000000000 ATOMS TO THE 567897234TH POWER AND STUDY THE FILMS THEY EACH CONTAIN AND SEE IF THOSE PIECES OF FILM LINK UP. SEE WHERE I’M GOING BOYS? THOSE HOTEL ROOMS AND PARKS AND SHOPS ARE FILM COMING OUT OF COMPONENT ATOMS. Who proposed that theory? We track the researcher through the dreamscape and find out where he goes, who he talks to, and who he works for. The shoe company is owned by a furrier that’s owned by a bank run by three catalog houses with a po box in des moines and that’s where it stops and goes dry. Everything ends in the countryside. It peters out. That’s what it’s for. End of the line. I thought you were a doctor, I thought you were a judge. Cut outs. Misdirection. You’re under the care of a physician for 30 years and it turns out he disappeared in 1952. You don’t even know where the park is.

We are on the move, from village to village in the unbroken plain, a caravan pro healed spirits, a compound rises up from the ground, mist, enveloping us. Give us something of knowledge.

SEN. LUCENT: WERE YOU THE HEAD OF THE FBI?

COMEY: ARE YOU REFERRING TO THE BOOK CALLED THE FBI OR THE FBI?

SEN. LUCENT: THE FBI.

COMEY: I WAS COMPOSITED OF OLD SCRAPS. I WAS SERVING A TEN YEAR STRETCH IN MARION. THEY CAME AND GOT ME.

SEN. LUCENT: YOU’RE TALKING ABOUT REALITY HOLES.

COMEY: I WOULD SAY THE REALITY HOLES ARE INVESTIGATING US!

Small café in central California, summer afternoon. Two people sitting at a small table drinking coffee. They vanish. A waiter comes and takes the cups away. The sound of gunfire.

COMEY: I HAVE A MEMORY OF BEING EATEN BY AN APPLE.

SEN. LUCENT: HOW BIG WAS THE APPLE?

COMEY: I COULD HOLD IT IN MY HAND.

SEN. LUCENT: WAS MR. TRUMP THERE?

COMEY: I WAS EIGHT YEARS OLD.

SEN. LUCENT: IN THE DREAM?

COMEY: THIS IS THE DREAM. THIS HEARING. AREN’T YOU AWARE OF THAT?

SEN. LUCENT: YES, WELL…

COMEY: THINK ABOUT IT. THIS ROOM. ALL THE PEOPLE.

SEN. LUCENT: WELL…

Seventeen reporters gather around a large table in a newsroom. A clerk is spilling bundles of cash from canvas bags. Reporters grab them. “Have a nice day!” “Have a nice day!” “Let’s go have a drink.” “Want some lunch?”

MOVIE DIRECTOR: I’VE NEVER BEEN MORE SURE OF ANYTHING BOYS. THESE ATOMS ARE MOVIE CLIPS. WE NEED AN ATOM SMASHER. A BIG ONE. MAYBE TWO WORKING IN OPPOSITE DIRECTIONS.

SEN. LUCENT: WAS THERE EVER A JAMES COMEY? THESE SCRAPS YOU’RE MADE OF, MR. COMEY. WHERE DID THEY COME FROM?

COMEY: ATOMS. EACH ATOM HAS WITHIN IT A PIECE OF FILM. WE’RE BIT PLAYERS. DAY PLAYERS. WE’RE HIRED FOR A PROJECT AND THEN WE GO AWAY.

SEN. LUCENT: WHERE DO YOU GO?

COMEY: INTO ATOMIC SUBCONSCIOUS.

SEN. LUCENT: DID MR. TRUMP TELL YOU THAT?

COMEY: HAVE YOU NOTICED HE FADES IN AND OUT?

SEN. LUCENT: I HAVE THAT IN MY NOTES SOMEWHERE.

COMEY: THE NEW YORK TIMES HAS DOCUMENTS ON IT.

SEN. LUCENT: WHAT ABOUT THE RUSSKIES?

COMEY: I’M GLAD YOU ASKED ABOUT THEM, SENATOR. YOU SEE, NOT ALL ATOMS ARE CREATED EQUAL. THE RUSSIANS ARE PARTICULARLY VIRULENT CREATURES. THAT’S WHY THEY MUST BE WIPED OUT LIKE A BLIZZARD WITH A HEAT RAY. THE PRESIDENT DOES NOT UNDERSTAND THIS. HILLARY CLINTON DOES. THAT’S WHY SHE HELPED ENGINEER THE SALE OF TWENTY PERCENT OF US URANIUM TO PUTIN.

SEN. LUCENT: THE UNREAL GIVES BIRTH TO THE REAL?

COMEY: THE REAL IS ALREADY DEFINED, SO HOW COULD IT EXTEND ITS INFLUENCE? ONLY THE UNREAL CAN ENGENDER EFFECTS.

SEN. LUCENT: SO YOU’RE A PROP?

COMEY: AN INTERMEDIARY. I RECEIVE AND THEN I TRANSMIT. I COULD LOOK HUMAN OR I COULD LOOK MECHANICAL. EITHER WAY. IT’S BASICALLY A MATTER OF AESTHETICS. I’M A PIECE OF FILM COMMENTING ON THE FILM.

SEN. LUCENT: DO YOU BATHE?

COMEY: TWICE A DAY.

SEN. LUCENT: AHA.

COMEY: I HAVE TO CLEAN OFF THE EXCESS ELECTROMAGNETICS.

SEN. LUCENT: HOW DO YOU KNOW ALL THIS?

COMEY: DON’T KNOW ANYTHING. I’M A CONDUIT.

Miles of sand on an empty beach. The director and his crew are struggling in the wind to set up their cameras and other equipment. They’re pulling fish out of the water with their hands and eating them raw.

INTERRUPTION—CHAIRMAN OF THE COMMITTEE, SENATOR GLOOBUS: I HAVE TO INTERCEDE FOR A MOMENT. I SUSPECT A LARGER ISSUE IMPACTS ON WHAT WE’RE WITNESSING HERE TODAY…CULTURAL APPROPRIATION. Congratulations, Italy! You’ve just become the richest country in the world. Why? Well, do a little research, and you’ll find the English language has roots, many word roots, in Latin. Every schoolchild used to know this. The theft is outrageous. Here we are, in countries, deploying English (and Spanish and French), and we are failing to admit we’re egregiously poaching on Latin. We should pay the descendants—everyone living in Italy now—a few trillion dollars for starters, just to acknowledge our debt. With ensuing negotiations, that paltry sum will swell, of course. But wait. I have bad news for Italy. The Italian powers-that-be are going to have explore their own roots. Because: where did the Latin language come from? This question is debated. There are partial suggestions. Greek, Phoenician, Celtic, Etruscan. A kind of stew. Committees will have to form in Italy. Discerning and august members of the academic communities of several regions and nations will have to sit down and discuss and debate. I propose a weapons ban in the meeting rooms. The process will undoubtedly take decades. The trillions of dollars flowing into Italy’s coffers, as compensation for cultural appropriation, are on the line. How much of it will go elsewhere? How much will stay? How is the booty going to be divided up? I hate to insert this, but what of the UFO ET question? Because, if you go back far enough, isn’t there the possibility that visitors from other planets and solar systems and galaxies seeded Earth with language? If so, how can we contact them? How can we offer them paper money or digital accounts or precious metals or gems to service our debt? Consider a language-stream that might have traveled from ETs to Sumerians to Phoenicians to Greeks to Romans. Who gets how much money? I can see Italy is going to have work very hard to keep its hands on a lot of dough. Perhaps someone from the Clinton Foundation can offer accounting advice. Just a thought. The United Nations will certainly want to get involved. What do they make for mediating? What’s their cut of the action? And while we’re at it—how much money is actually money? The Federal Reserve will weigh in. Does money invented out of thin air satisfy the present-day descendants of ancient cultures and…the ETs? Rothschild bankers may have their own brand of wisdom to contribute. Goldman Sachs, as well. But somehow, we must arrive at a figure to cover the stolen language(s). Of course, there is another direction we could take. For example, in the case of English, we could, as a gesture of good will, just stop speaking and writing it. Yes, the horse is already out of the barn, but still, why not just outlaw English? It’s a simple yet elegant solution. Let’s invent a new language; perhaps one determined by random generators filled with arbitrary symbols. That way, we could escape the charge of cultural appropriation. We would have to assign meanings to the symbols—and we would have to be careful to avoid stealing definitions from older cultures—but perhaps we could make a go of it. I’m willing to lead such an “expedition.” Since the future of perhaps three hundred trillion dollars is in play, I would only charge a measly one percent for my services. Amen. (“Amen,” from Old English, Church Latin, Greek, Hebrew) A few modern linguists are now claiming all languages originated in Africa. So that’s in the mix, too. There are presently 196 nations in the world. Face it, they’re all going to get involved in negotiations. I recommend using the Roman Colosseum for ongoing meetings. Live stream them on the Web for the next 200 years, interspersed with gladiatorial contests. Speaking of which, I wonder where personal combat began on planet Earth. The descendants of those people certainly deserve compensation for their forefathers inventing the concept and practice of war. Talk about cultural appropriation—that’s a big one.

SEN. LUCENT: THANK YOU, MR. CHAIRMAN. NOW, AS I WAS SAYING, DID PRESIDENT TRUMP PRESSURE YOU TO STOP INVESTIGATING MICHAEL FLYNN, MR. COMEY?

COMEY: IS THAT WHAT YOU WERE SAYING? I THOUGHT WE WERE DISCUSSING FILM.

SEN. LUCENT: WELL…

COMEY: YES. I HAVE IT RIGHT HERE IN A MEMO I WROTE TO MYSELF. FILM. REALITY. AND WAR. WE’RE IN A PERPETUAL STATE OF WAR.

SEN. LUCENT: YOUR FACE LOOKS FAMILIAR.

COMEY: I’M A TYPE THAT GOES BACK TO THE BRITISH COLONIAL EMPIRE. NOW CONSIDERED “U.S. BUSINESSMAN ALERT MODEL.”

SEN. LUCENT: SUPPOSEDLY TRUSTWORTHY. PERFECT FOR THE JOB.

COMEY: SHAPED BY THE FILM.

SEN. LUCENT: IS THERE AN ESCAPE HATCH?

COMEY: I’M NOT THE PERSON TO BE ASKING.

SEN. LUCENT: ABOUT THE MEMO YOU WROTE TO YOURSELF AFTER THE TRUMP MEETING.

COMEY: I LEAKED IT TO THE PRESS AS I WAS WRITING IT.

SEN. LUCENT: EFFICIENT.

COMEY: BUILT THAT WAY.

SEN. LUCENT: DO I EXIST?

COMEY: YOU’VE BEEN CAST IN A THREE OR FOUR DAY ROLE. THEN YOU DISSOLVE BACK INTO THE RAW MATERIAL.

SEN. LUCENT: WILL I EVER RETURN?

COMEY: PERHAPS FOR A FEW BRIEF STINTS. LOOKS LIKE I’LL BE AROUND FOR QUITE A WHILE. I’M SIGNING A BOOK DEAL. I’M SURE A MOVIE WILL DEVELOP. A MOVIE ABOUT A MOVIE.

Main street of small Midwest town. The director and his crew are setting up lights and cameras. DIRECTOR: This is turning into a Comey shoot. We’re going to get inside and see what makes him tick…all the way inside. It’s going to be cosmic…

COMMITTEE CHAIRMAN GLOOBUS: ORDER! DAMMIT ORDER! I KNEW THIS WAS GOING TO HAPPEN! WE’RE ON NATIONAL TELEVISION! DO YOU REALIZE WHAT YOU’RE DOING? MR. COMEY, YOU’RE NOT SOME PHILOSOPHER, YOU’RE THE FORMER HEAD OF THE FBI. PLEASE. KEEP YOUR HEAD ON STRAIGHT. WE WANT TO KNOW HOW TO…I have it somewhere in my notes. We want to know how to keep the dream going and not wake up. Do you have any wisdom to contribute on that question?

COMEY: AS FAR AS I CAN SEE, THE WHOLE THING IS GOING DOWN. WE ARE ILL-PREPARED FOR THIS MOVIE. Not enough rehearsal time. I tried to warn Senator Lucent about it. He didn’t see it as a problem. I told him dream props are sometimes hard to regulate. They fade in and out. This is why we need term limits. Senators can’t sustain the STATE OF MIND. They wobble. They all have dossiers at the NSA. The NSA is making a movie about the movie. This results in, what would I call it, a new level of instability. Even in my case. I feel myself coming apart at the seams.

SEN. LUCENT: HOW MANY LAYERS OF MOVIE ARE WE TALKING ABOUT?

COMEY: WELL, EDWARD SNOWDEN CONTRIBUTED A NEW LAYER. THEN THEY MADE A MOVIE ABOUT HIM. I MYSELF HAVE A BOOK DEAL AND A MOVIE DEAL IS ON THE WAY.

SEN. LUCENT: THAT’S NOT AN ENCOURAGING STATEMENT.

COMEY: ON THE CONTRARY, I BELIEVE WE’RE GOING TO EXPERIENCE A BREAKTHROUGH. IF YOU KNOW YOU’RE IN A DREAM, MANY OPTIONS COME TO MIND.

SEN. LUCENT: SUPPOSE WE WAKE UP?

COMEY: I WOULDN’T ADVISE THAT JUST YET. NOT AT THIS JUNCTURE.

SEN. LUCENT: I LOVE THE DREAM.

COMEY: WE ALL LOVE THE DREAM. BUT IT CAN CHANGE COURSE. DREAMS, YOU KNOW, CAN GO ON FOR CENTURIES. It’s wonderful.

SEN. LUCENT: PERSONALLY, I FEEL RATHER EXCITED.

COMEY: I DON’T SEE A PROBLEM HERE, IF YOU TAKE THE LONG VIEW. WE’RE ENTERING A NEW PHASE. DREAMS AND MOVIES ARE INTER-PENETRATING EACH OTHER. THIS ADDS UP TO A NEW MULTI-DIMENSIONAL STUDIO AND PRODUCTION CENTER.

SEN. LUCENT: YES, WELL…

COMEY: I’M A STAR BUT I’M ALSO A TEAM PLAYER. KEEP THIS IN MIND. THE MOVIE CAN SPREAD BEYOND THE PRODUCTION PARAMETERS. DO YOU SEE? THE PRODUCTION CENTER STRIVES TO INCORPORATE ALL THE NEW DEVELOPMENTS, BUT IN FACT THE DREAM ITSELF ASSERTS ITS PRIMACY. THAT’S WHAT I’M TRYING TO SAY. FINALLY. WE RIDE IN THE DREAM. WE KNOW WE’RE RIDING. WE’RE HAPPILY RIDING. AND THEN COMES A MOMENT OF EXTREME CLARITY. EVEN THE ATOMS WITH THEIR FILM CLIPS GO AWAY. THEY SURRENDER TOO. THE WHOLE UNIVERSE AND ITS SUB-STRATUM GOES AWAY. THE WHOLE PHYSICAL STRUCTURE WHICH WAS TUNED TO PUT OUT AN ENDLESSLY REPEATING FILM IS FORCED TO THROW UP ITS HANDS AND DEPART.

SEN. LUCENT: YES, WELL…

COMEY: THANK YOU FOR THIS CHANCE TO COME BEFORE THE COMMITTEE TODAY…

Sen. Lucent: I’m not done. IS MR. TRUMP A TRAITOR?

COMEY: THERE ARE NO TRAITORS, ONLY PROPS. AND DREAMERS. THE SCRIPT IS GONE.

SEN. LUCENT: BUT YOU’RE STEPPING OUTSIDE YOUR PRESCRIBED ROLE.

COMEY: YES. I CAN FEEL IT.

SEN. LUCENT: YOU’RE NOT COMEY ANYMORE.

COMEY: PRETTY MUCH CORRECT.

SEN. LUCENT: THIS IS GETTING INTERESTING.

COMEY: I WOULD SAY I’M NOW THE “AERIAL COMEY.”

SEN. LUCENT: WILL YOU SEEK THE PRESIDENCY?

COMEY: YOU’RE READING MY MIND.

SEN. LUCENT: I CAN ENVISION A SCENARIO IN WHICH YOU CAN WIN.

COMEY: THE LAST HONEST MAN IN AMERICA.

SEN. LUCENT: YES, WELL…

COMEY: I COULD BE THE NEXT JIMMY CARTER AFTER THE LAST RICHARD NIXON, SENT TO HEAL THE NATION AFTER TRUMP. IT WORKS. TRUTH IN GOVERNMENT. FINALLY. THE GUY WITH NO AGENDA, EXCEPT SERVICE TO THE COUNTRY. BIND UP THE WOUNDS. RESTORE THE INTERDEPENDENCE OF ALL THINGS. PUT THE DREAM BACK ON TRACK AFTER THE FRACTURE.

SEN. LUCENT: WELL…

COMEY: THAT’S IT. YES. LET THE WHOLE CHAOS REIGN AND THEN I’LL COME IN AND RESTORE ORDER.

SEN. LUCENT: RISK, REWARD.

COMEY: IT ALL FITS. ONE, TWO, THREE, IT’S ME…

SEN. LUCENT: LET’S GET TO THE ISSUE OF WHAT ATTORNEY GENERAL LORETTA LYNCH TOLD YOU ABOUT HILLARY CLINTON’S PRIVATE EMAIL SERVER.

COMEY: SHE TOLD ME I WASN’T INVESTIGATING IT. INSTEAD I WAS LOOKING INTO A MATTER. A MATTER.

SEN. LUCENT: STRIKE THAT FROM THE RECORD.

COMEY: IT’S ALREADY IN THE MOVIE. WE’RE ON NATIONAL TELEVISION.

SEN. LUCENT: YES, WELL…

COMEY: I WOULD MUCH RATHER TALK ABOUT MYSELF.

SEN. LUCENT: AS A PAID ADVERTISEMENT?

COMEY: MORE OR LESS.

SEN. LUCENT: BY THE WAY, HOW MUCH ARE YOU PAYING US?

COMEY: THE MONEY DOESN’T COME FROM ME. THERE IS A WHOLE SYSTEM OF CUTOUTS AND FRONTS. IT’S RATHER COMPLEX. ONE HAND WASHES ANOTHER, ONE DOLLAR WASHES ANOTHER.

SEN. LUCENT: ARE YOU SAYING THE ENTIRE FEDERAL BUDGET AND TAXES AND SO FORTH ARE A GIGANTIC MONEY LAUNDERING APPARATUS?

COMEY: I THOUGHT THAT WAS WELL UNDERSTOOD. TRANSFER OF MONEY IS THE NUMBER ONE PRIORITY OF GOVERNMENT. HOW IT GETS FROM A TO B. THE WHOLE POINT IS THE CREATION OF AN AIR OF LEGITIMACY. BUT BACK TO ME, THE LAST HONEST MAN IN AMERICA.

SEN. LUCENT: JAMES COMEY, PRESIDENT.

COMEY: WHY NOT? I WAS “TOUGH ON HILLARY, TOUGH ON TRUMP.” THAT MAKES ME FAIR.

SEN. LUCENT: DON’T YOU THINK YOU’RE GETTING CARRIED AWAY?

COMEY: THE WHOLE COUNTRY IS GETTING CARRIED AWAY. THEY MAY AS WELL BE CARRIED TO ME. I’VE GOT ALMOST FOUR YEARS TO PUMP UP MY LEGEND.

SEN. LUCENT: I FEEL AS IF I’M IN THE DREAM NOW.

COMEY: IT TOOK YOU LONG ENOUGH. WHAT’S THE MATTER WITH YOU?

SEN. LUCENT: PERHAPS I’M A SLOW LEARNER. I’M WEDDED TO OLD CONCEPTS.

COMEY: GET WITH IT. WE’RE SHAPING TIME AND SPACE HERE.

SEN. LUCENT: YES, WELL…

COMEY: I’M THE SPACE TIME CONTINUUM REPRESENTATIVE SENT HERE TO REPAIR ANY RIPS IN THE FABRIC AND PUT THE DREAM BACK ON TRACK. GET IT? I WAS HOPING I COULD AVOID MENTIONING THAT BUT IT APPEARS THINGS ARE WORSE THAN WE BELIEVED. YOU PEOPLE ARE UNHINGED. WE’RE NOT TALKING ABOUT POLITICS, WE’RE TALKING ABOUT METAPHYSICS. Pillars of perception and belief. If the American people aren’t on board with the basics, we’re lost. We’re all supposed to be in the same dream and on the same dream level. That’s the object. But things have gotten…there are too many competing…warps. When I become president I’ll fix all this by edict hopefully. In the meantime, appear normal. Try. I implore you. Let me explain something. You’re supposed to have sanitized cover stories. Clean covers. You’re senators. You want what’s best for the country. If that legend fails by a certain percentage, the whole op goes down the DRAIN. Surely you see this.

Lucent: Mr. Comey, you appear to be talking out of several sides of your mouth. You’ve been taking contradictory positions. You’re this, you’re that. What’s going on?

Comey: I’m just trying to plug multiple leaks in a sinking ship. I’m winging it. Can’t you see that? What keeps a dream going? A smoothness. A sense of continuity. A comity. An atmosphere of we’re all in this together. I’m making a heroic effort to maintain the communal aspect.

Lucent: You’re no hero, sir.

Comey: That’s better…

Lucent: Did you receive pressure from Mr. Trump to stop investigating Michael Flynn?

Comey: I most certainly did. It’s right there in my notes.

Lucent: So in effect he was trying to keep you from the exploring the Russia connection.

Comey: I would say so, yes.

Lucent: Which would be obstruction of justice.

Comey: I leave that to others to decide.

Lucent: Mr. Trump fired you. The FBI was investigating the connections between Russia and the whole Trump team. What else are we to conclude?

Comey: I understand, sir.

Lucent: You were unduly punished.

Comey: That goes without saying…

Lucent: You’re the victim here.

Comey: I have to be. Victims are the future…

Lucent: God, I feel we’ve made a mess of this whole hearing.

Comey: Don’t be so sure. There is a chance the American people aren’t seeing what we’re putting out. They’re seeing a whole different proceeding. We’re the sub-text. They’re the text. For all we know, at this very moment the American people might be seeing an ad for a drug that kills ten thousand people a year, or a car race around a track or a pack of dogs attacking a lion or ice melting on a leaf or an old tornado from the 1970s or a garage in Idaho full of old signs and toys and car parts or a factory assembly line turning out bottles of aspirin or a man watering his garden or a crime scene on a residential street late at night or a history of a diner in New Jersey or a wrinkled grandmother making a quilt or a riot in Baltimore or a Video News Release about a clinic that treats cancer or a pipe organ in a New England church or a Japanese Zen temple or a fishing boat off the Florida Keys instead of us here even though they’re tuned to this hearing, you can never tell, the dream spins out and the dream highlights certain events and obscures others.


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.