Approximation of a dream

Approximation of a dream

by Jon Rappoport

April 13, 2017

Approximation of a dream

By Jon Rappoport

“The space-time continuum is a cheap drug we took a long time ago.”

How do you describe a highly complex, shifting, electric dream you had? Here is how I describe this one:

Cause and effect: Because of the wind, because of the night and the stanchions and the shifting of the orbits, and the fires on banked hills, and the white whirls of capes and the hammering blossoms and the burning of standing orders and the automatic sentients at the gates, and the frogs in the moats announcing to the wind the coming of April and the gaggling mobs at the iron doors and the soldiers and the castle maids and the old hogs sloughing in the dusty pens, and the fading of crimson and hotel rooms flying in the breeze and the mind warping back to catch fragments it left behind and the all the postponements of regrets and mottos and popularity of broadcasters, because of the tables and the lack of connections to the light and the ideas that frisson on and on without change but simply bubble, and because of the knights of the cauldron and the rejection of asylum and the reliance on whispers in the dark and symbolic messages shooting by in the night sky and cheap perambulating forks hovering over furniture, because of levitating statues and frank flying and saboteurs and mercenary allowances and censorship eating and green forests paths winding along brooks shepherds minding their flocks, because of sand and beach and pyre and old days, worms in the soil, deserts empty quarter levels of tangerine, lightning strikes over the hovercraft, silver spires of the new city, dwarf flat highways foreshortened by breezes, gold flake, emerald, agents reacting to, and against, their own schemes and the sky can turn many colors during certain days, and who can keep track of every nuance and slight plague that infects, and because the clouds pass slowly, they romance silver and heralds make announcements which they contradict hours later, language itself undergoes fashions, it is boiled down, it expands into empty bureau speak, it flashes and disappears, and because of dreams of being lost, outdoor corridors in the rain, the search for the only friend, strangers everywhere, why, imagine a piece of sculpture in a museum, it has 107 dimensions and in one of those dimensions, time has been crawling along a surface in precise small increments but now time begins to skip ahead in longer leaps and so, to avoid a very perplexing situation, we throw a sheet over the whole sculpture and prepare to walk away, and then we realize we are in the darkness.

Fragrant roses on the table by an ancient ink well. The white pitcher of cream glowing in the morning. The phone softly humming like a river. Tuesday. Low clouds. The sun gray and brown floating.

Raphael’s curls cabled on a wire from cliffs domed with chimes.

A segment of the city made up of denizens and castoffs drifting, shacks, plywood castles, runoff pools of lilies, hacked streets, lofts, parks, abandoned highways, morning, I remembered Carol. Islands floating letters of the green sun punching reservation keys to hotels I meet her in a wide gold corridor heavy curtains hanging on the walls she leads the way into an empty room we shut the door and look out over six hundred empty chairs we’re driving up a long road to a house we break into closets and try on expensive clothes and strut in front of mirrors we jimmy into file cabinets in steel rooms and fish out glossy photos of agents we fly a rug into a Saturday night reincarnation sports book find new packs of money in our pockets and lay it all down on a new life with blood pounding in our ears.

Also wrappery of old streets, souls of paper, graves, sacraments pressed into the brains of walking robots, sandstone cliffs…


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

From The Magician Awakes

From The Magician Awakes

by Jon Rappoport

April 12, 2017

Here are brief excerpts from my work-in-progress, The Magician Awakes:

“Nature doesn’t change its fundamental processes.  They continue.  They repeat, through endless generations.  A tree doesn’t suddenly become a glass tower.  But individuals can change realities at the drop of a hat.  This is not considered important.  But it is important.”

“What is called ‘subjective’ is thought of, thanks to psychology, as inferior to ‘the real world’.  But why?  Why is this the guiding principle?  Why are people cut off from what they dream after they dream it?  You can search heaven and earth for an answer, and you won’t find a good one.  But the relationship between you and what you dream is vital.  It is you looking at your own dream and seeing something there, or inventing something there.  That connection has been ignored.  It is as if you have a private dynamo in your basement, and it can supply all the energy you need, but instead you continue to pay your bill to the public energy company, and you believe the public energy is superior.”

“Suppose you created something you love.  You would look at it.  You would find something there.  You would, in your private thoughts, build something more on what you found.  This process is life blood.  It is a key to magic.  It is not taught, because it can’t be taught.  There is no system for it.  It is a route by which you discover that your world is more important than the physical world.”

“In my book, The Secret Behind Secret Societies, I detail my relationship and work with a brilliant healer, Richard Jenkins.  He made sure I understood he was pursuing a path unique to him.  He was improvising in the moment.  He wasn’t following a protocol.  The physical world and its properties were, for him, a minor fact.  By doing his healing, he was introducing a new element into the world: spontaneity.  And that alone was enough to heal.  It was the ‘other life’, as he put it.”

“I have done a bit of work in theater.  This is what I realized.  If you had an audience, and they sat there and watched actors improvise on a given premise or situation, over and over, for a few hours, nothing might happen.  But then, all of a sudden, one improvisation would take them by storm.  It would truly be spontaneous.  It would induce a kind of healing or magic, and the audience would be taken out of themselves.  They would be set on fire, and the fire would be the magic of the moment, entirely fresh, new, bubbling beyond the rules of cause and effect.  No proof of this would be needed.  The audience would feel it, experience it.”

“As wonderful as you might perceive the physical world and nature to be, it has a built-in rule.  All its changes occur within certain limits.  In this sense, the world is established against those changes which could be called magic.  The world is proof that magic can’t happen.  This is a lie, a very clever lie.  It is an illusion.  Why bother to invent an illusion unless it is convincing?  The ancient Tibetans understood all this.  They engaged in practices designed to set aside the illusion and render it null and void.  In this way, they brought in imagination as the prime originator.  They were revolutionaries.  That’s why theocrats labored to take over the Tibetan culture, and that’s why, at bottom, the Chinese State felt it had to dismantle Tibet and its tradition…”


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Unknown (and possibly unknowable) languages

Unknown (and possibly unknowable) languages

“Paradoxical consciousness”

by Jon Rappoport

April 5, 2017

This brief article might be of interest only to certain artists. I say that because there are paintings which exceed language and suggest unknown connections of meaning. You look at a certain painting and you see something in it which implies meaning. You sense the meaning is there, but there is no translation. There may never be a translation.

You paint something that is unknown to you. It has a richness (AND a contradictory implication or an extreme dissonance or a paradox) that exceeds anything you’ve ever done—but you can’t explain it. You can only look at it. Your mind doesn’t process it and come up with “an answer.” The suggestion is of a different sort of consciousness, but that consciousness has no name or description.

So the unknown thing stands. It is there. Someday, someone might come along and say something startling about it to you. Or not. The situation is unpredictable. Certainly, no one who is steeped in a devotion to the Familiar will ever be affected by the painting. That will never happen. Even if such a person registered the fact that he didn’t understand the painting, this would be of no interest to him. It wouldn’t be provocative.

When you talk to people about the far reaches of consciousness, if they are interested, they feel they have some sort of answer or description. They believe they have at least a general outline of what this new consciousness would be. They have a net, as it were, and they are anxious to put it around this new state of mind.

But suppose that is nothing more than a tendency to want to make things familiar? Suppose there is consciousness and meaning that resists whatever is familiar? Suppose this painting is presenting something that will outdistance any such labeling? Suppose there is meaning that defies any explanation with which we are familiar? Suppose the painter can create something which stands outside any and all nets, including his own? Suppose the painting presents a paradox which escapes translation, or any attempt to resolve and connect its parts?

And yet, suppose the painting presents meaning?

In that case, finding the meaning will need to proceed by some process which we do not understand. “Process” is an incorrect word.

Who knows? Perhaps standing before that painting, on and off for five years, will begin to allow something that can’t ever be expressed in words to start to bleed through.

Something direct, something with definite and specific impact, something that has no name.

And seeing that and experiencing it will provoke and signal, in the viewer, the emergence of consciousness that grasps the formerly incomprehensible.

Is this possible? I say it is. Can it happen? I believe it can.

In which case, a transformation would begin, in the viewer. He would not be able to describe it in words. But at some point, he would embody it.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

I identify as a horse. No, really. I do.

I identify as a horse. No, really. I do.

by Jon Rappoport

April 4, 2017

“Faced with two estranged parents in utter disagreement about their daughter’s wish to be a boy, a British Columbia Supreme Court judge has appointed the child a legal guardian to protect her interests…The father not only wants his daughter to cease taking hormone blockers but also to cease all contact with transgender activists or transgender-friendly therapists…Though the case is about whether the 11-year-old can give informed consent to such serious medical treatment, which is intended to delay the onset of female puberty, the judge appears to have already conceded the point by referring to the girl by her preferred, male, initials, J.K., and accepting her male self-identification.”  (lifesitenews.com, “Court orders dad to start treating his 11-year-old daughter as a boy,” 5/6/16)

I’ve decided I’m Nyquist, a former winner of the Kentucky Derby.  This in no way subtracts from, or replaces, the Nyquist who ran the race in 2:01.31.

I just want to be Nyquist in my own way.  So I’ve moved into a barn in Kentucky (undisclosed location), with other horses who will not be named.  They are, for the most part, friendly.  I believe they’re on the way accepting me as one of their own.

In the morning, I leave my stall and trot out into a large field where I nibble grass and cavort.  It’s much better than working at the Starbucks.

I don’t plan on entering races, but who knows?  Do you believe a court will dare stop me if I decide to join a contest at a small track?  I don’t think so.  It would abridge my right to determine my own category of existence, even if I can’t find a jockey who would saddle and ride me.  If I say I’m Nyquist, I’m Nyquist.

Okay, in the interest of avoiding conflict, I’m not Nyquist.  I’m Nyquist Two.  I’m Ny2.  That’s my new name.  Ny2.

The question has arisen: what drugs should I be taking?  I have found a doctor at the US National Institutes of Health who believes he can design a protocol that will, to a significant degree, turn me into a horse.

How will that change my thoughts?  I’m already thinking like a horse, so it’s not a problem, but we’re shooting for the creation of equine impulses to bolster, as it were, my mental processes.

In other words, horse feelings to support horse thinking.

I really want to get into politics.  How do you imagine I’ll go over as a self-identifying horse running for Congress in Kentucky?  I’m already in talks with a public relations firm, and they believe my prospects are strong.  Very strong.

Once elected, I would certainly cause a stir in Washington.  No doubt about that.

“Talking horse will vote to launch new war in Middle East.”

“Horse’s ass wants more war.”  Let some columnist or blogger take that tack and I’ll sue for gender discrimination.  There are laws.  Who’ll risk running afoul of the new identity mandates?

From Congress to the Senate—that’s a manageable proposition.  And then, of course, in 2020 or 2024, I would be a no-brainer for the Oval race.  I, Ny2, in the White House.  Horse-in-Chief.  I would live and do the business of the nation on the lawn.

“Animal wisdom.”  It rings true.  Back to Nature for the most powerful country in the world.  Are you kidding?  The support would rise like a great wave.  Who better to advance the environmental agenda?

“Ny2 decrees 50-percent cut in US energy production, to save the planet.”  If you think a 75-year-old socialist riled up the college kids in 2016, watch me go to work.  By the time I’m finished, the word “human” will be anathema.  “Human bias=Privilege.”

I’m ahead of the curve, perfectly positioned.

Aren’t we on the cusp of realizing that everything connected with the dominant species in the world is destructive?

All it takes is a final push over the edge.

I will appoint my favorites—dogs, cats, cheetahs, mice, snakes, hippos, scorpions, and koala bears—to key posts in my administration.

And I’ll tell you this.  I believe, by the end of my second term as president, I’ll be able to enter and win the Triple Crown.  The Derby, Preakness, Belmont.  Not because I’ll finish first, but because no one will care where in the field I rank at the wire.  They’ll need and want to declare me the winner and champion.  Arbitrarily.

You don’t think so?

You don’t have your finger on the pulse.

You’re hopelessly mired in the past—where all the trouble was.

We’re going to a far, far better place.  Finally.

I see it as clearly as I see the overwhelming acclaim for surgical castration.

You don’t know about that trend?  You will, when I’m president.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Killer wars create immigrants; let’s have more wars

Killer wars create immigrants; let’s have more wars

by Jon Rappoport

March 29, 2017

Some, but not all, waves of immigrants result from wars that leave people helpless and terrified. They run, they flee, they emigrate to the West.

We must have more immigrants, according to self-styled “liberals.”

So let’s have more wars. That’ll make liberals feel good about themselves, and that’s what we want, right?

If the wars stopped, lots of potential immigrants would stay where they are. They wouldn’t come to the West. That would make liberals depressed. We can’t have that.

I would suggest we’re looking at the Hillary Clinton formula: love war, wage war, and thus bring more glorious immigrants to our shores. Just a thought.

The whole point of our society these days is people feeling virtuous, and signaling each other about their mutual virtuousness. We must cater to these folk. They are the beautiful ones.

They place their own heartfelt goodness on the highest pedestal. There must be NO analysis of the cost of immigration. There must be NO ceiling on immigration. There must be no assessment of the crimes committed by immigrants. Facts and figures and limits are heartless and cruel and elitist.

LET EVERYONE IN.

No borders, no nations, no deportations.

Somehow, some way, this will lead to utopia.

How exactly? That’s a secret. But don’t worry. It’ll come to pass.

Who knows? We may have to destroy the village in order to save it.

And all those immigrants who aren’t migrating to the West because of wars? The ones who are coming for the free government goodies? The ones who refuse to accept the traditions and laws of the country they’re entering? The ones who hate the countries they’re entering and prove it by committing heinous crimes? That’s not really a problem. With enough love from the “liberals,” they will be transformed in time. And even if they aren’t, that’s all right, because in their own way they’ll be breaking down the gross evil called “sovereign nations”—which we all know is code for Nazism. Nothing should be sovereign. Borders are artificial. They’re just lines on a map. What a scintillating insight! (Most college students these days are enlightened by this staggering revelation, aren’t they?)

I say: worship the Pentagon. Worship the military industrial complex. They find ingenious ways to launch wars. Therefore, they help bring more immigrants here. They do their part. They give us the chance to show our humanitarian soul.

War is God’s plan to allow us to be virtuous.

War is the universe saying, “Let your love shine through.”

Everything happens for a reason.

Let us launch the Church of War.

The Church will teach us we are one planet without nations.

Finally, we will have peace.

Through war.

And then we can build a memorial to the recently deceased David Rockefeller, who knew all along that peace through war would lead to one global governance system with no nations, no borders, no exclusions:

Everyone laboring under the same sun. Everyone fitting into a predetermined slot, ridding us of the scourge called freedom. Everyone cooperating in the new civilization. Everyone saving everyone.

We will triumph as One Glob, indivisible.

All along, the impulse for war has been persistent; difficult if not impossible to eradicate.

Now, finally, we know why.

It was a great Good, masquerading as Evil.

…those who are obsessed with appearing to do good must have victims they can help; if there aren’t enough victims—create them.

Be a war monger who preaches peace and unity.

IF YOU’RE IN THE ARMED FORCES AND YOU’RE VERY LUCKY, YOU MIGHT PARTICIPATE IN AN ATTACK, AN INVASION, A WAR THAT WILL DISLOCATE HUGE NUMBERS OF DESPERATE CIVILIANS. SOME OF THEM WILL EMIGRATE HERE, WHERE OUR OWN CITIZENS FERVENTLY WISH TO DO GOOD AND HELP THEM. YOU WILL ENABLE OUR CITIZENS IN THEIR QUEST TO PROVE THEMSELVES VIRTUOUS. THEY WILL GIVE SANCTUARY TO THE IMMIGRANTS YOU DISPLACED.

It all works out, doesn’t it?


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Dreams more real than reality

Dreams more real than reality

by Jon Rappoport

March 21, 2017

Every person has had at least one dream that, during the time of the dream, was more real than waking life.

Two interpretations: he was visiting an actual locale outside this continuum; he was creating the dream.

In either case, the bottom line has great significance. The impact of the first interpretation is obvious. The second implies the person has creative power that far exceeds his ordinary sense of what he can do.

Either conclusion casts light on this continuum: it is less convincing than it seems to be. The all-embracing impression this space-time yields up is an illusion.

It isn’t the end-all and be-all.

We carry on our lives as if “this place” is IT. But it isn’t.

If it isn’t, why are we, most of time, such an eager buyer? Somehow, we’re participating in the illusion. We’re propping it up.

We want the illusion.

Here is one reason why: if we perceived and admitted our actual creative power, we would feel compelled to act on it. We would launch great inventive enterprises that far outstrip our present goals.

We would revolutionize our point of view.

For most people, this is too much.

This is sticking out one’s neck too far.

In other words, part and parcel of accepting this space-time continuum as the end-all is consenting to be average, to exist within certain parameters. The acceptance and the consent go hand in hand.

The advertisements write themselves:

Buy a ticket to a continuum where you can be average.

Take a vacation from creative Self.

Stressed out from your own power? Here’s a place where you don’t have to use it.

And yet, behind it all is a challenge: go to a place where most of the inhabitants bury their own creative power…and use yours to the hilt anyway.

It’s a challenge every individual can take on. If he will.

In my collection, Exit From The Matrix, I present in great detail a series of imagination techniques you can practice daily, to expand your creative power to achieve what you desire most deeply in life.

This collection is the equivalent of several years of post-graduate work—if colleges taught anything useful in these areas.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Are we living inside a virtual simulation?

Are we living inside a virtual simulation?

by Jon Rappoport

March 16, 2017

A 2012 study out of Bonn University led to a new round of speculation about the nature of the universe.

The study proposes that cosmic rays undergo a strange energy shift. The energies are “re-fitted” to align with an underlying pattern or lattice. There is only one proper fit; no exceptions are permitted.

If the lattice is, indeed, a basic pixel-like Reality we are interacting with every day of our lives, then we could be living inside a created artifice.

A simulation.

Put this description alongside the hypothesis that the universe is a hologram: lines of code inscribed on a two-dimensional surface deliver instructions on how the lattice is built, and what its properties are.

In other words, the software which holographically projects the universe includes the exact structure of the lattice.

Then, by the rules of the game, energies which don’t automatically plug into the lattice-framework precisely, as they’re supposed to, are “snapped to” a correct fit, as Mike Adams (Natural News) has suggested.

Mike has made the analogy to a television picture, which consists of pixels that have their own dimensions and structure. So if we imagine an all-encompassing “television picture,” this would be the lattice-controlled reality we live in.

In the long-term project of putting together my collections The Matrix Revealed and Exit From The Matrix, I did a great deal of research on other notions of creation or “reality-building.”

It is clear that at deep levels, propaganda turns into self-propaganda. In order to live inside a Matrix or universe, we would have to produce, in ourselves, an extraordinary level of amnesia about what we can create.

The ancient Tibetans knew a great deal about this conundrum. Before they became a theocratic society of rites and rituals and a rigorous elitism, they were daring adventurers on the edge of experiments in consciousness.

Relying on the teachings of itinerant outcast adepts from India, they developed a practice called, by a few later scholars, “deity visualization.” (See John Blofeld, The Tantric Mysticism of Tibet)

Perhaps based on an already existing mandala-painting, a teacher would give his student a very detailed and specific “personage” to create in his imagination. This effort, if it was successful at all, might take months or even years.

The goal was to mentally hold the complex image intact, in every detail, not just for a few seconds or minutes, but continuously. If the student was successful at this arduous task, he would soon find that the personage he created seemed to take on a life of its own.

The personage or deity would become the student’s friend and guide and give him valuable advice and counsel. When the teacher sensed this relationship had progressed to a very close point, he would order the student to get rid of the personage altogether.

This, it was said, was more difficult than the original act of creating it. But if the student was able to perform both aspects (creative and destructive) of the exercise, he would then realize, see, and know, with full consciousness, that THE UNIVERSE WAS A PRODUCT OF MIND.

At that crossroad, he would be able to spontaneously take apart pieces of “the hologram” or “the lattice,” and even create (out of nothing) new objects that hadn’t existed before.

Perhaps those Tibetan adepts, in their practice, actually saw the lattice or even the two-dimensional surface on which the holographic code of the cosmos is inscribed.

Another clue concerning the origin or underlying force that made the universe is revealed through a study of the famous alchemical diagram: two crossed staves.

The four endpoints were said to represent the basic aspects or elements of Nature: earth, air, fire, and water. According to some alchemical interpretations, these elements were in eternal conflict with one another.

The resolution of the conflict was represented by the center-place where the two staves met. This mysterious intersection was called Quintessence, and its meaning was long debated.

Paracelsus, one of the most famous of the European alchemists, seems to have thought that Quintessence was, in fact, imagination.

In other words, our creative power could change the inherent design of reality.

The history of millions of artists on this planet directly points to the fact that, when freed from restraints, human beings become enormously creative. Every painting, play, poem, novel is a world of its own; a universe. This suggests that the physical universe is but one work of art, out of a possible infinity of universes.

William Blake made several remarkable statements about the power of imagination:

“Some see nature all ridicule and deformity…and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself.”

“Imagination is the real and eternal world of which this vegetable universe is but a faint shadow.”

Of course, the notion of multiple universes is reflected in contemporary science. Physicist Brian Greene, author of The Hidden Reality, explains that Relativity and Quantum Theory, each highly useful in its own way, come into high mathematical conflict when set side by side.

One resolution of that conflict can be achieved through String Theory, in which tiny vibrating strings (in 10 or 11 dimensions) explain the makeup of this universe. But String Theory also suggests many surfaces or membranes or islands on which matter, energy, and time can exist: multiple universes.

No matter what force or power we say made this universe, a new day is here. We are coming to grips with the idea that the universe isn’t all the reality there is. Some find this disturbing. Others are inspired to feel it is intensely liberating.

Yet another hypothesis: we are living in an interpenetration of several simultaneous universes or planes of existence. And they’re all here now, if we could see them.

The rigorous lattice or holographic code defining this universe is merely the way one plane of existence is structured.

Rather than reduce all possible universes to the principles on which this one may be built, why not consider many, many other such “works of art?” Each universe is constructed or improvised out of the infinite well of creative freedom…

Could there be a greater illustration of the principle of Abundance?

Throughout history, humans have been reaching for, and elevating the idea of greater abundance. In one of the early Bible stories, Old Testament Joseph, as a boy, dreams of dancing sheaves of wheat. Wheat, grain was, for the ancients, a living symbol of abundance.

Johanna Stuckey, well-known researcher on early goddesses, points out that the Sumerian grain goddess, Ezina/Ashnan, was also called Lady of Abundance.

We have always sought, in faith, in hope, in myth, in story, in investigation the means for unending abundance. Now, we also see it reflected in our most far-reaching contemplations: not just one universe, but many universes, without end. Because if we are living in this virtual space and time, why shouldn’t other continua exist?

Are they all simulations? Is a painting a simulation? Not really. It’s an independent invention, undertaken in freedom, launched from the unfettered imagination of an artist. It is its own universe.

We are all artists.

With all veils and curtains lifted, this is the truth we have always known.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.