Your personal vision

Your personal vision

by Jon Rappoport

April 19, 2017

This isn’t about whether you need glasses. It’s about having a vision of the future. The future you want.

The future is composed of time starting one second from now—if you want it to. Or it could start tomorrow. Or next week. Or five years from now. Or never.

An extremely pointed and useful question is: what do you really want to do?

An answer to that begins to give birth to a vision.

But suppose the answer is: play music.

Does that mean you have to come up with a five-year plan right away? Does that mean you have to map out some sort of business structure immediately? Or could it simply mean YOU WANT TO PLAY MUSIC?

If that’s what it means, then start playing. Now.

Why not? It’s what you want to do.

And then, as you keep playing in the days and weeks ahead, think about the ways you could play music. Alone. With a small group. With an orchestra. What do you want?

It turns out you put together the future in pieces. You add pieces. Then, at some point, you see enough to fill in details and look at something long range. Maybe.

Or you could be one of those people who, five minutes after starting to play music, rushes to the computer and builds an architecture for the next 20 years of your life.

Different people operate in different ways.

There is no ironclad system legislated by the universe.

But you need to do something you want to do; in this case, play music.

If you don’t, you float and drift and percolate and ruminate and end up chewing cud.

Not doing something becomes a drug, and the addiction creeps in.

People are always doing something, but they aren’t usually doing what they really want to do.

Then there are people who are doing what they want to do, but they stop. Why?

For various reasons. One of those reasons is: they do enough of what they want to do, for a week, a month, a year, five years, and then they reach the end. After that, they don’t feel the impulse to keep doing it. The magic goes away. They aren’t interested anymore. It turns out they wanted to eat a fabulous meal for eight years, and then they were finished with the meal, and it was time to get up from the table.

That can happen.

All of the above is a prelude to me saying: imagination isn’t like this. It never runs out. It doesn’t need a plan. It doesn’t need a conclusion. Imagination is what you haven’t thought of yet. Imagination is the idea you haven’t come across yet. Imagination is more than having a vision. Imagination can enhance a vision and spread it out into previously unseen realms. Imagination is about the possible and the impossible and beyond. Once you really start exercising your imagination in numerous ways, you’re going to come across unexplored lands, and you’re going to feel new energy and inspiration. Who knows what you’ll do then? Whatever it is, when it becomes too familiar, imagination will be waiting for you and you can start the next episode.

If you’re looking for magic, there it is.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Approximation of a dream

Approximation of a dream

by Jon Rappoport

April 13, 2017

Approximation of a dream

By Jon Rappoport

“The space-time continuum is a cheap drug we took a long time ago.”

How do you describe a highly complex, shifting, electric dream you had? Here is how I describe this one:

Cause and effect: Because of the wind, because of the night and the stanchions and the shifting of the orbits, and the fires on banked hills, and the white whirls of capes and the hammering blossoms and the burning of standing orders and the automatic sentients at the gates, and the frogs in the moats announcing to the wind the coming of April and the gaggling mobs at the iron doors and the soldiers and the castle maids and the old hogs sloughing in the dusty pens, and the fading of crimson and hotel rooms flying in the breeze and the mind warping back to catch fragments it left behind and the all the postponements of regrets and mottos and popularity of broadcasters, because of the tables and the lack of connections to the light and the ideas that frisson on and on without change but simply bubble, and because of the knights of the cauldron and the rejection of asylum and the reliance on whispers in the dark and symbolic messages shooting by in the night sky and cheap perambulating forks hovering over furniture, because of levitating statues and frank flying and saboteurs and mercenary allowances and censorship eating and green forests paths winding along brooks shepherds minding their flocks, because of sand and beach and pyre and old days, worms in the soil, deserts empty quarter levels of tangerine, lightning strikes over the hovercraft, silver spires of the new city, dwarf flat highways foreshortened by breezes, gold flake, emerald, agents reacting to, and against, their own schemes and the sky can turn many colors during certain days, and who can keep track of every nuance and slight plague that infects, and because the clouds pass slowly, they romance silver and heralds make announcements which they contradict hours later, language itself undergoes fashions, it is boiled down, it expands into empty bureau speak, it flashes and disappears, and because of dreams of being lost, outdoor corridors in the rain, the search for the only friend, strangers everywhere, why, imagine a piece of sculpture in a museum, it has 107 dimensions and in one of those dimensions, time has been crawling along a surface in precise small increments but now time begins to skip ahead in longer leaps and so, to avoid a very perplexing situation, we throw a sheet over the whole sculpture and prepare to walk away, and then we realize we are in the darkness.

Fragrant roses on the table by an ancient ink well. The white pitcher of cream glowing in the morning. The phone softly humming like a river. Tuesday. Low clouds. The sun gray and brown floating.

Raphael’s curls cabled on a wire from cliffs domed with chimes.

A segment of the city made up of denizens and castoffs drifting, shacks, plywood castles, runoff pools of lilies, hacked streets, lofts, parks, abandoned highways, morning, I remembered Carol. Islands floating letters of the green sun punching reservation keys to hotels I meet her in a wide gold corridor heavy curtains hanging on the walls she leads the way into an empty room we shut the door and look out over six hundred empty chairs we’re driving up a long road to a house we break into closets and try on expensive clothes and strut in front of mirrors we jimmy into file cabinets in steel rooms and fish out glossy photos of agents we fly a rug into a Saturday night reincarnation sports book find new packs of money in our pockets and lay it all down on a new life with blood pounding in our ears.

Also wrappery of old streets, souls of paper, graves, sacraments pressed into the brains of walking robots, sandstone cliffs…


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

From The Magician Awakes

From The Magician Awakes

by Jon Rappoport

April 12, 2017

Here are brief excerpts from my work-in-progress, The Magician Awakes:

“Nature doesn’t change its fundamental processes.  They continue.  They repeat, through endless generations.  A tree doesn’t suddenly become a glass tower.  But individuals can change realities at the drop of a hat.  This is not considered important.  But it is important.”

“What is called ‘subjective’ is thought of, thanks to psychology, as inferior to ‘the real world’.  But why?  Why is this the guiding principle?  Why are people cut off from what they dream after they dream it?  You can search heaven and earth for an answer, and you won’t find a good one.  But the relationship between you and what you dream is vital.  It is you looking at your own dream and seeing something there, or inventing something there.  That connection has been ignored.  It is as if you have a private dynamo in your basement, and it can supply all the energy you need, but instead you continue to pay your bill to the public energy company, and you believe the public energy is superior.”

“Suppose you created something you love.  You would look at it.  You would find something there.  You would, in your private thoughts, build something more on what you found.  This process is life blood.  It is a key to magic.  It is not taught, because it can’t be taught.  There is no system for it.  It is a route by which you discover that your world is more important than the physical world.”

“In my book, The Secret Behind Secret Societies, I detail my relationship and work with a brilliant healer, Richard Jenkins.  He made sure I understood he was pursuing a path unique to him.  He was improvising in the moment.  He wasn’t following a protocol.  The physical world and its properties were, for him, a minor fact.  By doing his healing, he was introducing a new element into the world: spontaneity.  And that alone was enough to heal.  It was the ‘other life’, as he put it.”

“I have done a bit of work in theater.  This is what I realized.  If you had an audience, and they sat there and watched actors improvise on a given premise or situation, over and over, for a few hours, nothing might happen.  But then, all of a sudden, one improvisation would take them by storm.  It would truly be spontaneous.  It would induce a kind of healing or magic, and the audience would be taken out of themselves.  They would be set on fire, and the fire would be the magic of the moment, entirely fresh, new, bubbling beyond the rules of cause and effect.  No proof of this would be needed.  The audience would feel it, experience it.”

“As wonderful as you might perceive the physical world and nature to be, it has a built-in rule.  All its changes occur within certain limits.  In this sense, the world is established against those changes which could be called magic.  The world is proof that magic can’t happen.  This is a lie, a very clever lie.  It is an illusion.  Why bother to invent an illusion unless it is convincing?  The ancient Tibetans understood all this.  They engaged in practices designed to set aside the illusion and render it null and void.  In this way, they brought in imagination as the prime originator.  They were revolutionaries.  That’s why theocrats labored to take over the Tibetan culture, and that’s why, at bottom, the Chinese State felt it had to dismantle Tibet and its tradition…”


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Unknown (and possibly unknowable) languages

Unknown (and possibly unknowable) languages

“Paradoxical consciousness”

by Jon Rappoport

April 5, 2017

This brief article might be of interest only to certain artists. I say that because there are paintings which exceed language and suggest unknown connections of meaning. You look at a certain painting and you see something in it which implies meaning. You sense the meaning is there, but there is no translation. There may never be a translation.

You paint something that is unknown to you. It has a richness (AND a contradictory implication or an extreme dissonance or a paradox) that exceeds anything you’ve ever done—but you can’t explain it. You can only look at it. Your mind doesn’t process it and come up with “an answer.” The suggestion is of a different sort of consciousness, but that consciousness has no name or description.

So the unknown thing stands. It is there. Someday, someone might come along and say something startling about it to you. Or not. The situation is unpredictable. Certainly, no one who is steeped in a devotion to the Familiar will ever be affected by the painting. That will never happen. Even if such a person registered the fact that he didn’t understand the painting, this would be of no interest to him. It wouldn’t be provocative.

When you talk to people about the far reaches of consciousness, if they are interested, they feel they have some sort of answer or description. They believe they have at least a general outline of what this new consciousness would be. They have a net, as it were, and they are anxious to put it around this new state of mind.

But suppose that is nothing more than a tendency to want to make things familiar? Suppose there is consciousness and meaning that resists whatever is familiar? Suppose this painting is presenting something that will outdistance any such labeling? Suppose there is meaning that defies any explanation with which we are familiar? Suppose the painter can create something which stands outside any and all nets, including his own? Suppose the painting presents a paradox which escapes translation, or any attempt to resolve and connect its parts?

And yet, suppose the painting presents meaning?

In that case, finding the meaning will need to proceed by some process which we do not understand. “Process” is an incorrect word.

Who knows? Perhaps standing before that painting, on and off for five years, will begin to allow something that can’t ever be expressed in words to start to bleed through.

Something direct, something with definite and specific impact, something that has no name.

And seeing that and experiencing it will provoke and signal, in the viewer, the emergence of consciousness that grasps the formerly incomprehensible.

Is this possible? I say it is. Can it happen? I believe it can.

In which case, a transformation would begin, in the viewer. He would not be able to describe it in words. But at some point, he would embody it.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

I identify as a horse. No, really. I do.

I identify as a horse. No, really. I do.

by Jon Rappoport

April 4, 2017

“Faced with two estranged parents in utter disagreement about their daughter’s wish to be a boy, a British Columbia Supreme Court judge has appointed the child a legal guardian to protect her interests…The father not only wants his daughter to cease taking hormone blockers but also to cease all contact with transgender activists or transgender-friendly therapists…Though the case is about whether the 11-year-old can give informed consent to such serious medical treatment, which is intended to delay the onset of female puberty, the judge appears to have already conceded the point by referring to the girl by her preferred, male, initials, J.K., and accepting her male self-identification.”  (lifesitenews.com, “Court orders dad to start treating his 11-year-old daughter as a boy,” 5/6/16)

I’ve decided I’m Nyquist, a former winner of the Kentucky Derby.  This in no way subtracts from, or replaces, the Nyquist who ran the race in 2:01.31.

I just want to be Nyquist in my own way.  So I’ve moved into a barn in Kentucky (undisclosed location), with other horses who will not be named.  They are, for the most part, friendly.  I believe they’re on the way accepting me as one of their own.

In the morning, I leave my stall and trot out into a large field where I nibble grass and cavort.  It’s much better than working at the Starbucks.

I don’t plan on entering races, but who knows?  Do you believe a court will dare stop me if I decide to join a contest at a small track?  I don’t think so.  It would abridge my right to determine my own category of existence, even if I can’t find a jockey who would saddle and ride me.  If I say I’m Nyquist, I’m Nyquist.

Okay, in the interest of avoiding conflict, I’m not Nyquist.  I’m Nyquist Two.  I’m Ny2.  That’s my new name.  Ny2.

The question has arisen: what drugs should I be taking?  I have found a doctor at the US National Institutes of Health who believes he can design a protocol that will, to a significant degree, turn me into a horse.

How will that change my thoughts?  I’m already thinking like a horse, so it’s not a problem, but we’re shooting for the creation of equine impulses to bolster, as it were, my mental processes.

In other words, horse feelings to support horse thinking.

I really want to get into politics.  How do you imagine I’ll go over as a self-identifying horse running for Congress in Kentucky?  I’m already in talks with a public relations firm, and they believe my prospects are strong.  Very strong.

Once elected, I would certainly cause a stir in Washington.  No doubt about that.

“Talking horse will vote to launch new war in Middle East.”

“Horse’s ass wants more war.”  Let some columnist or blogger take that tack and I’ll sue for gender discrimination.  There are laws.  Who’ll risk running afoul of the new identity mandates?

From Congress to the Senate—that’s a manageable proposition.  And then, of course, in 2020 or 2024, I would be a no-brainer for the Oval race.  I, Ny2, in the White House.  Horse-in-Chief.  I would live and do the business of the nation on the lawn.

“Animal wisdom.”  It rings true.  Back to Nature for the most powerful country in the world.  Are you kidding?  The support would rise like a great wave.  Who better to advance the environmental agenda?

“Ny2 decrees 50-percent cut in US energy production, to save the planet.”  If you think a 75-year-old socialist riled up the college kids in 2016, watch me go to work.  By the time I’m finished, the word “human” will be anathema.  “Human bias=Privilege.”

I’m ahead of the curve, perfectly positioned.

Aren’t we on the cusp of realizing that everything connected with the dominant species in the world is destructive?

All it takes is a final push over the edge.

I will appoint my favorites—dogs, cats, cheetahs, mice, snakes, hippos, scorpions, and koala bears—to key posts in my administration.

And I’ll tell you this.  I believe, by the end of my second term as president, I’ll be able to enter and win the Triple Crown.  The Derby, Preakness, Belmont.  Not because I’ll finish first, but because no one will care where in the field I rank at the wire.  They’ll need and want to declare me the winner and champion.  Arbitrarily.

You don’t think so?

You don’t have your finger on the pulse.

You’re hopelessly mired in the past—where all the trouble was.

We’re going to a far, far better place.  Finally.

I see it as clearly as I see the overwhelming acclaim for surgical castration.

You don’t know about that trend?  You will, when I’m president.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Killer wars create immigrants; let’s have more wars

Killer wars create immigrants; let’s have more wars

by Jon Rappoport

March 29, 2017

Some, but not all, waves of immigrants result from wars that leave people helpless and terrified. They run, they flee, they emigrate to the West.

We must have more immigrants, according to self-styled “liberals.”

So let’s have more wars. That’ll make liberals feel good about themselves, and that’s what we want, right?

If the wars stopped, lots of potential immigrants would stay where they are. They wouldn’t come to the West. That would make liberals depressed. We can’t have that.

I would suggest we’re looking at the Hillary Clinton formula: love war, wage war, and thus bring more glorious immigrants to our shores. Just a thought.

The whole point of our society these days is people feeling virtuous, and signaling each other about their mutual virtuousness. We must cater to these folk. They are the beautiful ones.

They place their own heartfelt goodness on the highest pedestal. There must be NO analysis of the cost of immigration. There must be NO ceiling on immigration. There must be no assessment of the crimes committed by immigrants. Facts and figures and limits are heartless and cruel and elitist.

LET EVERYONE IN.

No borders, no nations, no deportations.

Somehow, some way, this will lead to utopia.

How exactly? That’s a secret. But don’t worry. It’ll come to pass.

Who knows? We may have to destroy the village in order to save it.

And all those immigrants who aren’t migrating to the West because of wars? The ones who are coming for the free government goodies? The ones who refuse to accept the traditions and laws of the country they’re entering? The ones who hate the countries they’re entering and prove it by committing heinous crimes? That’s not really a problem. With enough love from the “liberals,” they will be transformed in time. And even if they aren’t, that’s all right, because in their own way they’ll be breaking down the gross evil called “sovereign nations”—which we all know is code for Nazism. Nothing should be sovereign. Borders are artificial. They’re just lines on a map. What a scintillating insight! (Most college students these days are enlightened by this staggering revelation, aren’t they?)

I say: worship the Pentagon. Worship the military industrial complex. They find ingenious ways to launch wars. Therefore, they help bring more immigrants here. They do their part. They give us the chance to show our humanitarian soul.

War is God’s plan to allow us to be virtuous.

War is the universe saying, “Let your love shine through.”

Everything happens for a reason.

Let us launch the Church of War.

The Church will teach us we are one planet without nations.

Finally, we will have peace.

Through war.

And then we can build a memorial to the recently deceased David Rockefeller, who knew all along that peace through war would lead to one global governance system with no nations, no borders, no exclusions:

Everyone laboring under the same sun. Everyone fitting into a predetermined slot, ridding us of the scourge called freedom. Everyone cooperating in the new civilization. Everyone saving everyone.

We will triumph as One Glob, indivisible.

All along, the impulse for war has been persistent; difficult if not impossible to eradicate.

Now, finally, we know why.

It was a great Good, masquerading as Evil.

…those who are obsessed with appearing to do good must have victims they can help; if there aren’t enough victims—create them.

Be a war monger who preaches peace and unity.

IF YOU’RE IN THE ARMED FORCES AND YOU’RE VERY LUCKY, YOU MIGHT PARTICIPATE IN AN ATTACK, AN INVASION, A WAR THAT WILL DISLOCATE HUGE NUMBERS OF DESPERATE CIVILIANS. SOME OF THEM WILL EMIGRATE HERE, WHERE OUR OWN CITIZENS FERVENTLY WISH TO DO GOOD AND HELP THEM. YOU WILL ENABLE OUR CITIZENS IN THEIR QUEST TO PROVE THEMSELVES VIRTUOUS. THEY WILL GIVE SANCTUARY TO THE IMMIGRANTS YOU DISPLACED.

It all works out, doesn’t it?


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Dreams more real than reality

Dreams more real than reality

by Jon Rappoport

March 21, 2017

Every person has had at least one dream that, during the time of the dream, was more real than waking life.

Two interpretations: he was visiting an actual locale outside this continuum; he was creating the dream.

In either case, the bottom line has great significance. The impact of the first interpretation is obvious. The second implies the person has creative power that far exceeds his ordinary sense of what he can do.

Either conclusion casts light on this continuum: it is less convincing than it seems to be. The all-embracing impression this space-time yields up is an illusion.

It isn’t the end-all and be-all.

We carry on our lives as if “this place” is IT. But it isn’t.

If it isn’t, why are we, most of time, such an eager buyer? Somehow, we’re participating in the illusion. We’re propping it up.

We want the illusion.

Here is one reason why: if we perceived and admitted our actual creative power, we would feel compelled to act on it. We would launch great inventive enterprises that far outstrip our present goals.

We would revolutionize our point of view.

For most people, this is too much.

This is sticking out one’s neck too far.

In other words, part and parcel of accepting this space-time continuum as the end-all is consenting to be average, to exist within certain parameters. The acceptance and the consent go hand in hand.

The advertisements write themselves:

Buy a ticket to a continuum where you can be average.

Take a vacation from creative Self.

Stressed out from your own power? Here’s a place where you don’t have to use it.

And yet, behind it all is a challenge: go to a place where most of the inhabitants bury their own creative power…and use yours to the hilt anyway.

It’s a challenge every individual can take on. If he will.

In my collection, Exit From The Matrix, I present in great detail a series of imagination techniques you can practice daily, to expand your creative power to achieve what you desire most deeply in life.

This collection is the equivalent of several years of post-graduate work—if colleges taught anything useful in these areas.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.