Maps of consciousness as a form of mind control

Maps of consciousness as a form of mind control

by Jon Rappoport

July 9, 2017

Let’s start here. There are maybe five people on the planet, if that, who genuinely want to contemplate existence and DO NOTHING ELSE.

Everyone else WANTS TO DO SOMETHING.

Since civilization dawned on Earth, various teachers and groups have been making maps about consciousness and how it works and operates. A thousand groups and a million teachers, and they all have some kind of map of consciousness that supposedly yields up crucial insight.

Let’s cut to the chase. If a person is using one of those maps and finds it helps him DO WHAT HE TRULY WANTS TO DO in his life, GOOD.

Good, assuming he isn’t kidding himself about what he really wants to do.

If he uses a map to sit around and do very little, and he isn’t one of those five people I mentioned at the top, then what good is the map? It may seem incredibly true and marvelous, but so what?

I don’t care what a person believes, and I don’t care whether he changes what he believes on Tuesday and then changes it again or Thursday. If what he believes on Tuesday helps him do what he truly wants to do—for two days—and then what he believes on Thursday helps him do what he truly wants to do until next Tuesday, splendid.

If a person has a different FINAL AND IRREFUTABLE map of consciousness for every day of the week, and they all help him do what he truly wants to do in life, on those days, good for him.

The map doesn’t matter. The inner territory of individual consciousness matters, and in that territory there is a deep desire to do something; TO CREATE SOMETHING.

Each individual is an artist of reality. He wants to invent a reality and make it fact in the world. ACTION.

There are many, many people who have maps and do very little. They’re map makers. Or they’re borrowing other people’s maps and poring over them. None of this contributes to the action of creating what they want to create. So their days are rather quiet and empty. Pointedly ask them whether they’re satisfied, and if they’re honest, they’ll say no.

The investigation of consciousness, the expression of consciousness—all the questions sages and philosophers have been asking and answering forever—are useful to individuals or they’re not. If they’re not, they’re functioning as a form of mind control.

So what? What difference does it make? It makes a difference because, for centuries, religious and spiritual leaders have been using maps to trap followers, not liberate them. Any such map or picture of reality that doesn’t seek to give the individual more freedom, more responsibility, more creative power, more independence, more rational capability seeks to give him less of these things. And in many cases, the “less” amounts to passive acceptance of a picture of reality that puts a person in a peculiar trance, where he does nothing while believing he knows everything.

He knows the picture of reality he has been handed. He never really tests that picture by finding out whether it helps him do what he truly wants to do in his life. THE PICTURE IS A STAND-IN AND A SUBSTITUTE FOR WHAT HE WOULD REALLY WANT TO DO AND CREATE IN HIS LIFE, IF HE KNEW WHAT THAT WAS.

Now we get down to it; various elites have always painted pictures of reality for everyone else. “Here, this is reality. This is all-encompassing reality. The reality and future you might independently create for yourself are irrelevant.”

There is one more kicker. If a person went out and poured all his energy into bringing about the reality and future he truly wanted, he would eventually discover, as a “side effect,” the answers to the most profound questions he has about life and existence. On his own.

Instead of the answers that come by way of the reality map makers.

THAT is the situation.

For the past 35 years, that has been the bottom line of my work, my articles and lectures and books, and especially my Matrix collections: the liberation of the individual on his own terms, not anyone else’s.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

CIA Memories: a fragment of a novel

CIA Memories: a fragment of a novel

by Jon Rappoport

July 6, 2017

This is a fragment of a work-in-progress, a novel titled CIA Memories. I’ve been writing it, on and off, for almost 10 years now. This particular piece involves the creation of an archetype. Here it is:

Waverly. Some people at the Agency thought of him as a go-to guy, a problem solver. The trouble was he could be hard to find. Like a mother a lost child was looking for in a crowded mall. You never knew when he would show up. Or from where.

A few Agency folks thought of him as a twin. When he came around, they said he looked just like them. Hilarious.

My theory and understanding of Waverly is that he is a construct, a very complex one, who arose from numerous meetings and brainstorming sessions and conferences and secret chats.

The obsession to present problems and solve them at the Agency brought Waverly into being, unconsciously, as the problem solver. THEY CREATED HIM.

You could say he was a ghost or a sub-type, but when he walked into your office and sat down across from you and smiled, you were there with him. You didn’t want to be anywhere else. If you were the Night, he was the Day. And vice versa. He was what you didn’t have.

Sounds ridiculous, doesn’t it? But Waverly is that creature.

I’ve done my own research on this character, and I’ve come to even more extensive conclusions. Waverly is you, the reader. That’s right. You, who are reading this, were brought into being by the CIA. That’s a hard one to accept. I know. You’re Waverly, I’m Waverly, we’re all Waverly. We’re all virtual creatures created by the CIA.

And if we win our war against the Agency, what happens to Waverly? What happens to us? Do we disappear?

I don’t think so. Even though we started out as virtual, we’re not virtual anymore. We’ve grown into our own independent creatures, with will, with freedom, with intelligence, with imagination. We’re becoming more powerful, day by day.

As we become more powerful, the CIA becomes weaker. We are the solution the CIA has been looking for. The grand solution. But when that solution takes over, the problem goes away. The CIA is the problem and the problem generating machine. A SOLUTION DISPENSES WITH THE PROBLEM.

Once upon a time, there was a problem: how could humans get off the Earth? When airplanes were finally invented, the problem went away. It was no longer something people thought about.

On some level, the CIA is aware of the situation. On some level, they know they could go away. So they keep generating problems that need answers, any answers. It doesn’t matter how good or how crazy the solutions are. They have to keep that machine operating. They have to keep finding problems that need resolutions.

We, on the other hand, can create situations that get out ahead of the problems…

The CIA feeds intelligence to key groups and persons inside the government and in corporations. In other words, the Agency feeds problem after problem to the high echelons of control. The CIA is that type of consciousness. It is bent. It’s always been bent. It attracts people who are obsessed with dangerous problems and fantasies. Thus, Waverly came into being. He was a collective, and all of us were sprung from that collective…but now the trend has reversed. We have been separating. Each one of us.

Those who are interested in genuine definitions of sanity and insanity would do well to think about this.


power outside the matrix

(To read about Jon’s mega-collection, Power Outside The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Your power is coming

Your power is coming

by Jon Rappoport

July 1, 2017

I could ease into this by saying your power stems from the ability to imagine new solutions to problems—and that’s true—but I want to start somewhere else right now.

Your power stems from the ability to conceive of a future that has no end.

And when you do this, of course you’re in that future, because try as you might, you don’t go away into nothing. You don’t end. That may come as a shock, or you may already know this.

ENDLESS is a fantastic thing to contemplate, especially when you apply it to WHATEVER YOU’RE DOING IN LIFE THAT YOU REALLY WANT TO DO.

For example, a writer writes. He writes endlessly. He spins dreams and stories and ideas and…much more than that. He turns reality upside down and inside out and then he comes back to reality and analyzes it down to its core and then the core below that and the core below that…and then he makes up another reality….

And beyond THAT, he writes. Who knows what he’s going to write tomorrow or a year from now or ten thousand years from now? Who know what forms he’s going to invent and un-invent and connect? That’s the fascination. And who knows who’s going to read what he writes….and what that means…

A writer is hanging on thunder and taking up residence in lightning and dispersing silver rain down on the earth in a future age and a past age, he crossing time, he’s waking up to a day in another universe, he’s always himself and he’s a million other things, he’s writing for himself and for nobody and everybody and there is no way to describe exactly who he is writing for…

There is always more to write, so the writer is anchored in THAT and he’s also out on the open sea. Always more, endlessly. Always more to do. If he gets tired of writing in one language he can write in another.

ENDLESS is a concept that is not embraced by society, and that is a good thing. The writer never tried to belong. He never tried to fit himself into a shelf in a room in a house. He is the house. He’s many houses.

Let’s look at ENDLESS from another angle. A person is looking at a painting. He’s sitting there looking at a painting he doesn’t understand. So what does he do? He’s going to be looking at that painting endlessly. So he goes through the many, many changes he goes through to interpret reality, to interpret reality in general. He sees things this way and that way and another way and another way…and eventually he exhausts all the ways he looks at reality, all the provincial ways, and finally he’s out in the open and he’s seeing in a way he never saw before…and THIS is when the exploration really begins…he has shed all the conventional ways of interpreting reality….he’s past that now…he’s past his own culture…he’s past the formal accepted ways of seeing…this is called magic. This is when magic begins to take hold and shake him like a tree. This is when he hears the bell ring and he wakes up. This is not a drug. This is not some teacher walking in the door and spouting great learning from ancient times. This is not a system. This is not believing in something. This is his own experience. I KEEP SAYING THIS AND I’LL KEEP SAYING IT, THE MAGIC COMES WHEN YOU MAKE YOUR OWN INTERPRETATIONS OF YOUR OWN EXPERIENCE. But it doesn’t come right away. It doesn’t come after five minutes. I know some great teachers who have much wisdom and who can’t move past the gate because they think they already know everything they’re going to know, and if they got hold of this thing called ENDLESS they would open the gate and walk through and then they would know all there is to know AGAIN and if they kept walking they would find something brand new and once again they would know everything there is to know and so on and so forth until they would realize…what? It’s hard to say. They would realize that they’re bigger than they thought they were and then they would think about that and see they’re both experiencing and inventing reality and they’re in the map of magic, they’re in the map and outside the map and they’re also making up the map. POWER. And then they would keep on going…


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Suppose you were the government spending money you don’t have?

Suppose you were the government spending what you don’t have?

by Jon Rappoport

July 1, 2017

The state government of Illinois is heading into bankruptcy. California has present and future liabilities of close to $500 billion. The federal government of the US has been underwater since (pick a date from the remote past).

Suppose you were the government.

You’re on a buying spree. You purchase a Ferrari and a Pacific Island and five monster yachts, and pretty soon all your cards are maxed out and your bank account shows a hefty negative balance. You consider the situation unfair. You should be able to spend indefinitely.

So you arrange loans with shady characters, and you also go into your garage where you have a printing press. You turn out money. Day after day. You use the fake money to pay back a few of the more pressing loans—the ones where big guys show up at your door with weapons.

To gain moral and other types of support, you give away money to all sorts of people in your city, including the mayor and the cops, but also to people who are poor and don’t have printing presses. You pay for schools and parks and new corporate projects. You fund far-flung companies that build tanks and planes. You pay for people to come to your country from all over the world.

You’re in hock up to your eyeballs, but you stay steady, because you can keep borrowing and printing money. However, you notice that no matter how much cash you give away, there are more and more people who want money from you. They see you have it or can manufacture it, and they want it.

So you come to a logical conclusion. Why keep figuring out who to give money to, when you can give it to everybody on a regular basis? You’ll guarantee a universal income. Any person who can fog a mirror with his breath will receive a check every month to pay for housing and food.

That should do it.

But it doesn’t.

Many, many people who are receiving checks want more. If you’re giving them what you’re giving them, why can’t you invent more to give them? The whole system is arbitrary. What difference does it make whether the monthly check is X or Y?

Now things begin to get slippery. The big creditors with guns aren’t coming to your door anymore. Instead, there are mobs out in the street in front of your house. They want, for starters, double what you’re giving them. Some of them, in fact, want to change places with you. It’s matter of justice. You should have to live on their checks, and they should be able to take over your printing press.

You hire the biggest PR agency in the world. How can I sell a ceiling on how much free money other people should have, you ask. And the PR people laugh at you. Never talk about a ceiling, they say. No one will sign on to it. Just as no advocate of open borders would ever agree to a top figure on the number of immigrant allowed into the county before the doors close. It’ll never happen. People will hate you for suggesting a ceiling.

But there must be a ceiling, you say. This can’t go on forever and expand forever.

However, as soon as you say it, you think, why not? Why can’t you give away an infinite amount of money? Why can’t any person who wants to be billionaire be a billionaire? What’s the problem?

Flash forward a few years. There are now six billion billionaires on the planet. As long as everyone consents to this wild money system, and no one who has power tries to stop it, it’ll work.

Want to be a billionaire? Here’s a check.

Fifty years later, of the 1265780945090873245605467 vital production and infrastructure systems on Earth, all but a few are entirely automated, which means that virtually no one has to work. All the billionaires can spend and buy.

Of course, they’re mostly buying from other billionaires, so the whole arrangement becomes superfluous.

Therefore, everything will be free for everybody. Money will go away.

Most of the people who choose to work are busy designing new products and new technologies.

Thus, progress is assured.

Would you like to see a world like this?


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The James Comey film dream

The James Comey Film Dream

Episodes, voices, montage/collage

by Jon Rappoport

June 18, 2017

These roses we saw in the fields of honor. Old families who live on. Give us light on our branches. Deed to us something of virtue.

WE WANT THE TRUTH. CAN WE GET THAT? CAN WE TAKE OFF THE MASKS AND GET DOWN TO BUSINESS? WE WANT A SURGE OF IMAGINATION AND THE MANY FUTURES IT HOLDS. WE WANT OPEN SOCIETY, MANY PEOPLE CREATING PREVIOUSLY UNKNOWN REALITIES AND CRACKING THE EGG. CAN WE GET THAT? CAN THE “WE” BE TURNED INTO AN “I”? CAN THE ONE “I” BECOME MANY? WHAT ARE “WE” WAITING FOR? WHAT HYPNOTIC FORCE IS HOLDING PEOPLE BACK?

LIVE CNN. LIVE CNN. LIVE CNN.

Pulitzer Prize awarded to homeless playwright whose two-hour work featured a man saying, over and over and over and over, nothing else but I AM NOT THREATENING TO KILL TRUMP, I AM NOT THREATENING TO KILL TRUMP, I AM NOT THREATENING TO KILL TRUMP.

ORDER! THERE WILL BE ORDER IN THE ROOM! Let’s start this dream rolling! No more delays! We have an obligation to kick this thing into high gear. STOP STALLING! WE EITHER HAVE A DREAM ABOUT A MOVIE AND A MOVIE ABOUT A DREAM OR WE HAVE NOTHING. The last thing we need is dead air. Since the fix is in, let’s fix the fix and leap ahead. AND FOR HEAVEN’S SAKE, LET’S TRY TO APPEAR NORMAL AND SEQUENTIAL AND NOT EXPOSE THE WHOLE BUSINESS. WILL ANY SENATOR WHO IS SUFFERING FROM DEMENTIA PLEASE LEAVE THE ROOM. I HAVE A BAD FEELING. WE HAVE SOME ACTORS HERE WHO ARE INCOMPETENT. THEY’RE ILL-PREPARED. THIS MOVIE IS PAPER THIN. WHAT IS WRONG WITH YOU PEOPLE?

We have seen epics of the moon in the ancient doorways, we have noticed the shadows of years passing, we have lain in summer fields. Give us something of value.

Committee Chair Senator Gloobus sits high up and stares at his podium. He counts four ants slowly sluggishly moving about on the polished surface. But it’s hard to tell, sometimes an ant will seem to materialize out of nowhere. He has to hold it together, McCain and Pelosi are over the threshold into brain chaos obviously. He can’t go that route. Not just yet.

COMMITTEE CHAIRMAN GLOOBUS: ISN’T IT TRUE, MR. COMEY, THAT YOU’RE BASICALLY AN OPERATIVE FOR THE CLINTONS?

(General good-natured laughter in the room)

COMEY: WELL I THOUGHT EVERYONE KNEW THAT. I MEAN…DO WE REALLY NEED TO…(looks around)…SURE, YES. BUT NO, I’M NOT. I’M IN THE MIDDLE. I’M HONEST.

COMMITTEEMAN SEN. LUCENT (interrupting): IF SOMEONE WERE TRYING TO MAKE AN INVESTIGATION GO AWAY, WOULD HE FIRE YOU?

COMEY: THAT’S A FISHING EXPEDITION. IT GOES ALL THE WAY BACK TO THE GREEKS AND THE SLAUGHTER AT TROY. DO YOU SEE THE THRUST?

SEN. LUCENT: FOR EXAMPLE, LOCKHEED MARTIN.

COMEY: I WOULD INCLUDE THAT, YES. IF YOU FACTOR IN WAR. AND YOU ALWAYS HAVE TO. I MEAN WE’RE ALL LIVING IN A POOL OF WAR.

SEN. LUCENT: ARE YOU JAMES COMEY?

COMEY: YOU MEAN AS OPPOSED TO AN ARTIFACT OF THE SAME OR DIFFERENT NAME?

SEN. LUCENT: CORRECT.

COMEY: YOU’RE ASKING IF A FILM CAN BECOME AWARE OF ITSELF.

Crew struggling with many cameras and lights in an open field. The movie director is there:

OK LOOK BOYS WE’RE TRYING TO GET THIS SET UP RIGHT. WE WANT TO FILM ATOMS IN MOTION. NOBODY SAID IT WOULD BE EASY. WE WANT TO GET DOWN INSIDE THOSE ATOMS AND FIND OUT HOW THEY WORK. PENETRATE THE SUB PARTICLES AND GET INSIDE THEM TO THE CORE IF THERE IS A CORE. WHO KNOWS, MAYBE THERE ARE VOICES THAT BROADCAST MESSAGES. WHAT ARE THEY SAYING? WE WANT TO GET THAT ON TAPE.

Shack next to a hospital. The shack is a courtroom.

Judge: I’m not really a judge. Let’s get that straight. But in this movie, I have power. That cannot be denied. I come from a good family and we have many dollars and many assets. I was appointed by a president to my seat on the bench. It’s quite a throne, when you consider the benefits.

YEAH WE KNOW ALL THAT, NOTHING NEW THERE…Yeah, nothing new. I’ve been dreaming you up, Judge, for some time. It hasn’t always been easy. You should be paying me big-time for keeping all your crimes under the table. The blister attacks in Berlin, the smoke canisters in the lobby of the Central Park Hotel to cover the jewel heist, and so on. You’re in clover because of me. I see your latest caper is a lawsuit charging 8 million people with being hypnotized. Interesting. Who’s the plaintiff?

Outdoor shopping mall, two cots, sheets rumpled, small table, doctor in white coat searching the room…

Where’s my patient? I need to give him a shot. You’re the audience you’re supposed to know where he is, you can see more than I can, I’m just a little guy doing his job.

THE MOVIE DIRECTOR: DOWN INSIDE A SUB SUB PARTICLE AS TINY AS I DON’T KNOW WHAT. IT WAS QUITE A SHOCKER. BUT IT’S REAL, MAKE NO MISTAKE ABOUT IT. WE’RE MAKING ASTOUNDING DISCOVERIES. IT APPEARS THAT EVERY ATOM CONTAINS A FILM OR A PIECE OF A FILM…

Sagging bottle of perfume and a voice—so this is what you can expect ladies if you weigh over 300 pounds if you use our product a kind of listless languid tall beauty no matter who you are you’ll benefit through a transformative process our scientists developed from studying grossly obese bugs that feed on ferns in Argentina wetlands in 1947 cowboys riding through pampas and rounding up cows and horses

THE SECRET LIFE OF ATOMS LET’S TAKE 56782000000000000000000 ATOMS TO THE 567897234TH POWER AND STUDY THE FILMS THEY EACH CONTAIN AND SEE IF THOSE PIECES OF FILM LINK UP. SEE WHERE I’M GOING BOYS? THOSE HOTEL ROOMS AND PARKS AND SHOPS ARE FILM COMING OUT OF COMPONENT ATOMS. Who proposed that theory? We track the researcher through the dreamscape and find out where he goes, who he talks to, and who he works for. The shoe company is owned by a furrier that’s owned by a bank run by three catalog houses with a po box in des moines and that’s where it stops and goes dry. Everything ends in the countryside. It peters out. That’s what it’s for. End of the line. I thought you were a doctor, I thought you were a judge. Cut outs. Misdirection. You’re under the care of a physician for 30 years and it turns out he disappeared in 1952. You don’t even know where the park is.

We are on the move, from village to village in the unbroken plain, a caravan pro healed spirits, a compound rises up from the ground, mist, enveloping us. Give us something of knowledge.

SEN. LUCENT: WERE YOU THE HEAD OF THE FBI?

COMEY: ARE YOU REFERRING TO THE BOOK CALLED THE FBI OR THE FBI?

SEN. LUCENT: THE FBI.

COMEY: I WAS COMPOSITED OF OLD SCRAPS. I WAS SERVING A TEN YEAR STRETCH IN MARION. THEY CAME AND GOT ME.

SEN. LUCENT: YOU’RE TALKING ABOUT REALITY HOLES.

COMEY: I WOULD SAY THE REALITY HOLES ARE INVESTIGATING US!

Small café in central California, summer afternoon. Two people sitting at a small table drinking coffee. They vanish. A waiter comes and takes the cups away. The sound of gunfire.

COMEY: I HAVE A MEMORY OF BEING EATEN BY AN APPLE.

SEN. LUCENT: HOW BIG WAS THE APPLE?

COMEY: I COULD HOLD IT IN MY HAND.

SEN. LUCENT: WAS MR. TRUMP THERE?

COMEY: I WAS EIGHT YEARS OLD.

SEN. LUCENT: IN THE DREAM?

COMEY: THIS IS THE DREAM. THIS HEARING. AREN’T YOU AWARE OF THAT?

SEN. LUCENT: YES, WELL…

COMEY: THINK ABOUT IT. THIS ROOM. ALL THE PEOPLE.

SEN. LUCENT: WELL…

Seventeen reporters gather around a large table in a newsroom. A clerk is spilling bundles of cash from canvas bags. Reporters grab them. “Have a nice day!” “Have a nice day!” “Let’s go have a drink.” “Want some lunch?”

MOVIE DIRECTOR: I’VE NEVER BEEN MORE SURE OF ANYTHING BOYS. THESE ATOMS ARE MOVIE CLIPS. WE NEED AN ATOM SMASHER. A BIG ONE. MAYBE TWO WORKING IN OPPOSITE DIRECTIONS.

SEN. LUCENT: WAS THERE EVER A JAMES COMEY? THESE SCRAPS YOU’RE MADE OF, MR. COMEY. WHERE DID THEY COME FROM?

COMEY: ATOMS. EACH ATOM HAS WITHIN IT A PIECE OF FILM. WE’RE BIT PLAYERS. DAY PLAYERS. WE’RE HIRED FOR A PROJECT AND THEN WE GO AWAY.

SEN. LUCENT: WHERE DO YOU GO?

COMEY: INTO ATOMIC SUBCONSCIOUS.

SEN. LUCENT: DID MR. TRUMP TELL YOU THAT?

COMEY: HAVE YOU NOTICED HE FADES IN AND OUT?

SEN. LUCENT: I HAVE THAT IN MY NOTES SOMEWHERE.

COMEY: THE NEW YORK TIMES HAS DOCUMENTS ON IT.

SEN. LUCENT: WHAT ABOUT THE RUSSKIES?

COMEY: I’M GLAD YOU ASKED ABOUT THEM, SENATOR. YOU SEE, NOT ALL ATOMS ARE CREATED EQUAL. THE RUSSIANS ARE PARTICULARLY VIRULENT CREATURES. THAT’S WHY THEY MUST BE WIPED OUT LIKE A BLIZZARD WITH A HEAT RAY. THE PRESIDENT DOES NOT UNDERSTAND THIS. HILLARY CLINTON DOES. THAT’S WHY SHE HELPED ENGINEER THE SALE OF TWENTY PERCENT OF US URANIUM TO PUTIN.

SEN. LUCENT: THE UNREAL GIVES BIRTH TO THE REAL?

COMEY: THE REAL IS ALREADY DEFINED, SO HOW COULD IT EXTEND ITS INFLUENCE? ONLY THE UNREAL CAN ENGENDER EFFECTS.

SEN. LUCENT: SO YOU’RE A PROP?

COMEY: AN INTERMEDIARY. I RECEIVE AND THEN I TRANSMIT. I COULD LOOK HUMAN OR I COULD LOOK MECHANICAL. EITHER WAY. IT’S BASICALLY A MATTER OF AESTHETICS. I’M A PIECE OF FILM COMMENTING ON THE FILM.

SEN. LUCENT: DO YOU BATHE?

COMEY: TWICE A DAY.

SEN. LUCENT: AHA.

COMEY: I HAVE TO CLEAN OFF THE EXCESS ELECTROMAGNETICS.

SEN. LUCENT: HOW DO YOU KNOW ALL THIS?

COMEY: DON’T KNOW ANYTHING. I’M A CONDUIT.

Miles of sand on an empty beach. The director and his crew are struggling in the wind to set up their cameras and other equipment. They’re pulling fish out of the water with their hands and eating them raw.

INTERRUPTION—CHAIRMAN OF THE COMMITTEE, SENATOR GLOOBUS: I HAVE TO INTERCEDE FOR A MOMENT. I SUSPECT A LARGER ISSUE IMPACTS ON WHAT WE’RE WITNESSING HERE TODAY…CULTURAL APPROPRIATION. Congratulations, Italy! You’ve just become the richest country in the world. Why? Well, do a little research, and you’ll find the English language has roots, many word roots, in Latin. Every schoolchild used to know this. The theft is outrageous. Here we are, in countries, deploying English (and Spanish and French), and we are failing to admit we’re egregiously poaching on Latin. We should pay the descendants—everyone living in Italy now—a few trillion dollars for starters, just to acknowledge our debt. With ensuing negotiations, that paltry sum will swell, of course. But wait. I have bad news for Italy. The Italian powers-that-be are going to have explore their own roots. Because: where did the Latin language come from? This question is debated. There are partial suggestions. Greek, Phoenician, Celtic, Etruscan. A kind of stew. Committees will have to form in Italy. Discerning and august members of the academic communities of several regions and nations will have to sit down and discuss and debate. I propose a weapons ban in the meeting rooms. The process will undoubtedly take decades. The trillions of dollars flowing into Italy’s coffers, as compensation for cultural appropriation, are on the line. How much of it will go elsewhere? How much will stay? How is the booty going to be divided up? I hate to insert this, but what of the UFO ET question? Because, if you go back far enough, isn’t there the possibility that visitors from other planets and solar systems and galaxies seeded Earth with language? If so, how can we contact them? How can we offer them paper money or digital accounts or precious metals or gems to service our debt? Consider a language-stream that might have traveled from ETs to Sumerians to Phoenicians to Greeks to Romans. Who gets how much money? I can see Italy is going to have work very hard to keep its hands on a lot of dough. Perhaps someone from the Clinton Foundation can offer accounting advice. Just a thought. The United Nations will certainly want to get involved. What do they make for mediating? What’s their cut of the action? And while we’re at it—how much money is actually money? The Federal Reserve will weigh in. Does money invented out of thin air satisfy the present-day descendants of ancient cultures and…the ETs? Rothschild bankers may have their own brand of wisdom to contribute. Goldman Sachs, as well. But somehow, we must arrive at a figure to cover the stolen language(s). Of course, there is another direction we could take. For example, in the case of English, we could, as a gesture of good will, just stop speaking and writing it. Yes, the horse is already out of the barn, but still, why not just outlaw English? It’s a simple yet elegant solution. Let’s invent a new language; perhaps one determined by random generators filled with arbitrary symbols. That way, we could escape the charge of cultural appropriation. We would have to assign meanings to the symbols—and we would have to be careful to avoid stealing definitions from older cultures—but perhaps we could make a go of it. I’m willing to lead such an “expedition.” Since the future of perhaps three hundred trillion dollars is in play, I would only charge a measly one percent for my services. Amen. (“Amen,” from Old English, Church Latin, Greek, Hebrew) A few modern linguists are now claiming all languages originated in Africa. So that’s in the mix, too. There are presently 196 nations in the world. Face it, they’re all going to get involved in negotiations. I recommend using the Roman Colosseum for ongoing meetings. Live stream them on the Web for the next 200 years, interspersed with gladiatorial contests. Speaking of which, I wonder where personal combat began on planet Earth. The descendants of those people certainly deserve compensation for their forefathers inventing the concept and practice of war. Talk about cultural appropriation—that’s a big one.

SEN. LUCENT: THANK YOU, MR. CHAIRMAN. NOW, AS I WAS SAYING, DID PRESIDENT TRUMP PRESSURE YOU TO STOP INVESTIGATING MICHAEL FLYNN, MR. COMEY?

COMEY: IS THAT WHAT YOU WERE SAYING? I THOUGHT WE WERE DISCUSSING FILM.

SEN. LUCENT: WELL…

COMEY: YES. I HAVE IT RIGHT HERE IN A MEMO I WROTE TO MYSELF. FILM. REALITY. AND WAR. WE’RE IN A PERPETUAL STATE OF WAR.

SEN. LUCENT: YOUR FACE LOOKS FAMILIAR.

COMEY: I’M A TYPE THAT GOES BACK TO THE BRITISH COLONIAL EMPIRE. NOW CONSIDERED “U.S. BUSINESSMAN ALERT MODEL.”

SEN. LUCENT: SUPPOSEDLY TRUSTWORTHY. PERFECT FOR THE JOB.

COMEY: SHAPED BY THE FILM.

SEN. LUCENT: IS THERE AN ESCAPE HATCH?

COMEY: I’M NOT THE PERSON TO BE ASKING.

SEN. LUCENT: ABOUT THE MEMO YOU WROTE TO YOURSELF AFTER THE TRUMP MEETING.

COMEY: I LEAKED IT TO THE PRESS AS I WAS WRITING IT.

SEN. LUCENT: EFFICIENT.

COMEY: BUILT THAT WAY.

SEN. LUCENT: DO I EXIST?

COMEY: YOU’VE BEEN CAST IN A THREE OR FOUR DAY ROLE. THEN YOU DISSOLVE BACK INTO THE RAW MATERIAL.

SEN. LUCENT: WILL I EVER RETURN?

COMEY: PERHAPS FOR A FEW BRIEF STINTS. LOOKS LIKE I’LL BE AROUND FOR QUITE A WHILE. I’M SIGNING A BOOK DEAL. I’M SURE A MOVIE WILL DEVELOP. A MOVIE ABOUT A MOVIE.

Main street of small Midwest town. The director and his crew are setting up lights and cameras. DIRECTOR: This is turning into a Comey shoot. We’re going to get inside and see what makes him tick…all the way inside. It’s going to be cosmic…

COMMITTEE CHAIRMAN GLOOBUS: ORDER! DAMMIT ORDER! I KNEW THIS WAS GOING TO HAPPEN! WE’RE ON NATIONAL TELEVISION! DO YOU REALIZE WHAT YOU’RE DOING? MR. COMEY, YOU’RE NOT SOME PHILOSOPHER, YOU’RE THE FORMER HEAD OF THE FBI. PLEASE. KEEP YOUR HEAD ON STRAIGHT. WE WANT TO KNOW HOW TO…I have it somewhere in my notes. We want to know how to keep the dream going and not wake up. Do you have any wisdom to contribute on that question?

COMEY: AS FAR AS I CAN SEE, THE WHOLE THING IS GOING DOWN. WE ARE ILL-PREPARED FOR THIS MOVIE. Not enough rehearsal time. I tried to warn Senator Lucent about it. He didn’t see it as a problem. I told him dream props are sometimes hard to regulate. They fade in and out. This is why we need term limits. Senators can’t sustain the STATE OF MIND. They wobble. They all have dossiers at the NSA. The NSA is making a movie about the movie. This results in, what would I call it, a new level of instability. Even in my case. I feel myself coming apart at the seams.

SEN. LUCENT: HOW MANY LAYERS OF MOVIE ARE WE TALKING ABOUT?

COMEY: WELL, EDWARD SNOWDEN CONTRIBUTED A NEW LAYER. THEN THEY MADE A MOVIE ABOUT HIM. I MYSELF HAVE A BOOK DEAL AND A MOVIE DEAL IS ON THE WAY.

SEN. LUCENT: THAT’S NOT AN ENCOURAGING STATEMENT.

COMEY: ON THE CONTRARY, I BELIEVE WE’RE GOING TO EXPERIENCE A BREAKTHROUGH. IF YOU KNOW YOU’RE IN A DREAM, MANY OPTIONS COME TO MIND.

SEN. LUCENT: SUPPOSE WE WAKE UP?

COMEY: I WOULDN’T ADVISE THAT JUST YET. NOT AT THIS JUNCTURE.

SEN. LUCENT: I LOVE THE DREAM.

COMEY: WE ALL LOVE THE DREAM. BUT IT CAN CHANGE COURSE. DREAMS, YOU KNOW, CAN GO ON FOR CENTURIES. It’s wonderful.

SEN. LUCENT: PERSONALLY, I FEEL RATHER EXCITED.

COMEY: I DON’T SEE A PROBLEM HERE, IF YOU TAKE THE LONG VIEW. WE’RE ENTERING A NEW PHASE. DREAMS AND MOVIES ARE INTER-PENETRATING EACH OTHER. THIS ADDS UP TO A NEW MULTI-DIMENSIONAL STUDIO AND PRODUCTION CENTER.

SEN. LUCENT: YES, WELL…

COMEY: I’M A STAR BUT I’M ALSO A TEAM PLAYER. KEEP THIS IN MIND. THE MOVIE CAN SPREAD BEYOND THE PRODUCTION PARAMETERS. DO YOU SEE? THE PRODUCTION CENTER STRIVES TO INCORPORATE ALL THE NEW DEVELOPMENTS, BUT IN FACT THE DREAM ITSELF ASSERTS ITS PRIMACY. THAT’S WHAT I’M TRYING TO SAY. FINALLY. WE RIDE IN THE DREAM. WE KNOW WE’RE RIDING. WE’RE HAPPILY RIDING. AND THEN COMES A MOMENT OF EXTREME CLARITY. EVEN THE ATOMS WITH THEIR FILM CLIPS GO AWAY. THEY SURRENDER TOO. THE WHOLE UNIVERSE AND ITS SUB-STRATUM GOES AWAY. THE WHOLE PHYSICAL STRUCTURE WHICH WAS TUNED TO PUT OUT AN ENDLESSLY REPEATING FILM IS FORCED TO THROW UP ITS HANDS AND DEPART.

SEN. LUCENT: YES, WELL…

COMEY: THANK YOU FOR THIS CHANCE TO COME BEFORE THE COMMITTEE TODAY…

Sen. Lucent: I’m not done. IS MR. TRUMP A TRAITOR?

COMEY: THERE ARE NO TRAITORS, ONLY PROPS. AND DREAMERS. THE SCRIPT IS GONE.

SEN. LUCENT: BUT YOU’RE STEPPING OUTSIDE YOUR PRESCRIBED ROLE.

COMEY: YES. I CAN FEEL IT.

SEN. LUCENT: YOU’RE NOT COMEY ANYMORE.

COMEY: PRETTY MUCH CORRECT.

SEN. LUCENT: THIS IS GETTING INTERESTING.

COMEY: I WOULD SAY I’M NOW THE “AERIAL COMEY.”

SEN. LUCENT: WILL YOU SEEK THE PRESIDENCY?

COMEY: YOU’RE READING MY MIND.

SEN. LUCENT: I CAN ENVISION A SCENARIO IN WHICH YOU CAN WIN.

COMEY: THE LAST HONEST MAN IN AMERICA.

SEN. LUCENT: YES, WELL…

COMEY: I COULD BE THE NEXT JIMMY CARTER AFTER THE LAST RICHARD NIXON, SENT TO HEAL THE NATION AFTER TRUMP. IT WORKS. TRUTH IN GOVERNMENT. FINALLY. THE GUY WITH NO AGENDA, EXCEPT SERVICE TO THE COUNTRY. BIND UP THE WOUNDS. RESTORE THE INTERDEPENDENCE OF ALL THINGS. PUT THE DREAM BACK ON TRACK AFTER THE FRACTURE.

SEN. LUCENT: WELL…

COMEY: THAT’S IT. YES. LET THE WHOLE CHAOS REIGN AND THEN I’LL COME IN AND RESTORE ORDER.

SEN. LUCENT: RISK, REWARD.

COMEY: IT ALL FITS. ONE, TWO, THREE, IT’S ME…

SEN. LUCENT: LET’S GET TO THE ISSUE OF WHAT ATTORNEY GENERAL LORETTA LYNCH TOLD YOU ABOUT HILLARY CLINTON’S PRIVATE EMAIL SERVER.

COMEY: SHE TOLD ME I WASN’T INVESTIGATING IT. INSTEAD I WAS LOOKING INTO A MATTER. A MATTER.

SEN. LUCENT: STRIKE THAT FROM THE RECORD.

COMEY: IT’S ALREADY IN THE MOVIE. WE’RE ON NATIONAL TELEVISION.

SEN. LUCENT: YES, WELL…

COMEY: I WOULD MUCH RATHER TALK ABOUT MYSELF.

SEN. LUCENT: AS A PAID ADVERTISEMENT?

COMEY: MORE OR LESS.

SEN. LUCENT: BY THE WAY, HOW MUCH ARE YOU PAYING US?

COMEY: THE MONEY DOESN’T COME FROM ME. THERE IS A WHOLE SYSTEM OF CUTOUTS AND FRONTS. IT’S RATHER COMPLEX. ONE HAND WASHES ANOTHER, ONE DOLLAR WASHES ANOTHER.

SEN. LUCENT: ARE YOU SAYING THE ENTIRE FEDERAL BUDGET AND TAXES AND SO FORTH ARE A GIGANTIC MONEY LAUNDERING APPARATUS?

COMEY: I THOUGHT THAT WAS WELL UNDERSTOOD. TRANSFER OF MONEY IS THE NUMBER ONE PRIORITY OF GOVERNMENT. HOW IT GETS FROM A TO B. THE WHOLE POINT IS THE CREATION OF AN AIR OF LEGITIMACY. BUT BACK TO ME, THE LAST HONEST MAN IN AMERICA.

SEN. LUCENT: JAMES COMEY, PRESIDENT.

COMEY: WHY NOT? I WAS “TOUGH ON HILLARY, TOUGH ON TRUMP.” THAT MAKES ME FAIR.

SEN. LUCENT: DON’T YOU THINK YOU’RE GETTING CARRIED AWAY?

COMEY: THE WHOLE COUNTRY IS GETTING CARRIED AWAY. THEY MAY AS WELL BE CARRIED TO ME. I’VE GOT ALMOST FOUR YEARS TO PUMP UP MY LEGEND.

SEN. LUCENT: I FEEL AS IF I’M IN THE DREAM NOW.

COMEY: IT TOOK YOU LONG ENOUGH. WHAT’S THE MATTER WITH YOU?

SEN. LUCENT: PERHAPS I’M A SLOW LEARNER. I’M WEDDED TO OLD CONCEPTS.

COMEY: GET WITH IT. WE’RE SHAPING TIME AND SPACE HERE.

SEN. LUCENT: YES, WELL…

COMEY: I’M THE SPACE TIME CONTINUUM REPRESENTATIVE SENT HERE TO REPAIR ANY RIPS IN THE FABRIC AND PUT THE DREAM BACK ON TRACK. GET IT? I WAS HOPING I COULD AVOID MENTIONING THAT BUT IT APPEARS THINGS ARE WORSE THAN WE BELIEVED. YOU PEOPLE ARE UNHINGED. WE’RE NOT TALKING ABOUT POLITICS, WE’RE TALKING ABOUT METAPHYSICS. Pillars of perception and belief. If the American people aren’t on board with the basics, we’re lost. We’re all supposed to be in the same dream and on the same dream level. That’s the object. But things have gotten…there are too many competing…warps. When I become president I’ll fix all this by edict hopefully. In the meantime, appear normal. Try. I implore you. Let me explain something. You’re supposed to have sanitized cover stories. Clean covers. You’re senators. You want what’s best for the country. If that legend fails by a certain percentage, the whole op goes down the DRAIN. Surely you see this.

Lucent: Mr. Comey, you appear to be talking out of several sides of your mouth. You’ve been taking contradictory positions. You’re this, you’re that. What’s going on?

Comey: I’m just trying to plug multiple leaks in a sinking ship. I’m winging it. Can’t you see that? What keeps a dream going? A smoothness. A sense of continuity. A comity. An atmosphere of we’re all in this together. I’m making a heroic effort to maintain the communal aspect.

Lucent: You’re no hero, sir.

Comey: That’s better…

Lucent: Did you receive pressure from Mr. Trump to stop investigating Michael Flynn?

Comey: I most certainly did. It’s right there in my notes.

Lucent: So in effect he was trying to keep you from the exploring the Russia connection.

Comey: I would say so, yes.

Lucent: Which would be obstruction of justice.

Comey: I leave that to others to decide.

Lucent: Mr. Trump fired you. The FBI was investigating the connections between Russia and the whole Trump team. What else are we to conclude?

Comey: I understand, sir.

Lucent: You were unduly punished.

Comey: That goes without saying…

Lucent: You’re the victim here.

Comey: I have to be. Victims are the future…

Lucent: God, I feel we’ve made a mess of this whole hearing.

Comey: Don’t be so sure. There is a chance the American people aren’t seeing what we’re putting out. They’re seeing a whole different proceeding. We’re the sub-text. They’re the text. For all we know, at this very moment the American people might be seeing an ad for a drug that kills ten thousand people a year, or a car race around a track or a pack of dogs attacking a lion or ice melting on a leaf or an old tornado from the 1970s or a garage in Idaho full of old signs and toys and car parts or a factory assembly line turning out bottles of aspirin or a man watering his garden or a crime scene on a residential street late at night or a history of a diner in New Jersey or a wrinkled grandmother making a quilt or a riot in Baltimore or a Video News Release about a clinic that treats cancer or a pipe organ in a New England church or a Japanese Zen temple or a fishing boat off the Florida Keys instead of us here even though they’re tuned to this hearing, you can never tell, the dream spins out and the dream highlights certain events and obscures others.


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

“This is a dream about a movie that is yet to be made”

“This is a dream about a movie that is yet to be made”

by Jon Rappoport

June 6, 2017

Audience addiction to Story is complete. They must have beginning, middle, and end. Without it, they would spin out of control. Or so they think. But every dream they have contradicts this. Dreams more real than real have no story line that finishes. This contradiction requires some attention. If there is enough patience. If people can wait long enough to get involved in stories that don’t operate in the usual fashion. A university could be founded on the question: Do you have the capacity to follow a story that has no beginning, middle, or end? Could you? Would you? How much money would they have to pay you?

“All dreams are movies, and all movies are dreams.” This I learned at the Cite in Paris in 1955, from the coach of the Indo-Chinese ping pong team. He was a physician’s assistant in Berlin and told me soon a pregnant woman would be able to decide the sex of her child.

Here is the script so far, as taken from a dream.

I’ve seen these belly-up ships from war

In green and gold

And sailors pouring on to docks

Running down long halls I understand Your Honor that my testimony might come across as too incisive too much to the point but why wait it’s clear that the people your investigators are searching for include yours truly I’m part of the plot to take down the whole rotting edifice but if you think I’m going to take my sentence lying down I have resources you’ve never imagined to quote a thousand movies this whole proceeding is a joke

What’s that? Do I know I’m dreaming? Of course I do, Sir. Otherwise, why would I be here? Have you seen the shadows of buildings that don’t match the structures and the warm milky hills in the middle of downtown? What I want to know is, who are you? Why don’t you tell this court? You’re the trespasser. We were filming random testimonies about mysteries until you showed up. You know, the mindless navy invasion, the labs, the direct insertion of images in the visual cortex, the background noises in the middle of the night, the printing of trillions of dollars, the apparent arms deals fronted by the american association of dentists.

Who is on trial here? I haven’t seen your credentials. For all I know you could be some kind of machine. But we’ve got you in our sights. We’re going to squeeze you until we get some answers. Take off your coat and tie, Sir. Remove your shoes. Place your eyeglasses on the podium. Search him for weapons and recording devices, boys. I want to know if he has a script. Look through his wallet. He might be a member of an actors union. What do you know about a clandestine organization operating out of Virginia, Your Honor? No not that one. I’m referring to an animated studio, where they build walking talking images. Judges, clerks, doctors, television anchors, colonels and generals nobody ever heard of. I knew a doctor in Chicago who ran for a seat on the city council and then they discovered he had no practice or degree he didn’t show up in any database he had no wife or children the photos were all manufactured he dissolved at a rally in a pile of dust they combed through the debris and found a tooth from a dead lion they traced to a local zoo an old beast someone had shipped in from the veldt with a case of TB.

I’ve had lots of dreams, Your Honor. I’ve learned a few tricks, one of which is turning the tables. I wait until somebody shows up out of the blue, which is called a clue. Then I bring in my boys and we grill him. Occasionally, we extract useful information. This isn’t a lovefest. We don’t put ourselves at the mercy of an unknown superior. We don’t go in for paranoia, either. We vet. We examine. We question. We know our own territory.

Back there somewhere, we started out just wanting to be left alone. That was it. Then the interlopers arrived. We spotted a few who were wandering around trying to blend in. They were looking for information. We didn’t have any, but of course they couldn’t accept that. Now we’ve got military people on our own side. They come in here trying to help. But the whole point of our locales was to avoid exactly what’s happening now.

We’re filming in black and white. I insist on that.

We’re basically operating with a medium that is close to the medium of perception. Suppose you want a large ship to sink with passengers on board. But they survive nicely. In fact, the deeper the ship goes, the dryer the landscape—the passengers are eating and drinking and walking outside the ship to explore the terrain. What do they find? You might want them to come upon a giant newspaper office staffed with people talking on phones and scribbling notes. There’s no reason not to. Mindless activity is good. Fragments of conversation. You almost think you know what it’s about. In the middle of the babble a large figure appears. The boss. The judge. Your Honor. The big cheese. The publisher. He’s going to try to take over the picture.

He’s the big cheese. He waits for no man. “I’ve got a raft of orders today, boys. I want the random stuff to stop. You’re all over the place. This picture is mine. I run it, I own it, I back it, I pay for it…” This is exactly what I want, because this guy is mine. I’ve got him wrapped up because I’m giving him enough rope to hang himself. Bring him forward in all his glory. The audience will root for him because they want the chaos to stop. Do you know why? Because it’s too familiar. They recognize the events and spoken words, as if they’ve lived them and dreamed them before. That’s their problem. I’m just putting one foot in front of the other. Scene by scene. There’s no resolution in a movie because there’s no resolution in a dream. You think there is, but there isn’t. For the big cheese, I’m probably going to need a political rally. People going crazy with excitement inside a bubble.

Now your biography starts to thread its way through the movie. Why not? You’re intensely interested in your life and your past. You want to see it in the movie. You see it and you’re in it. But instead of just you, you’re a character. A drug trafficker from Brazil. A surgeon in a war-torn Third World hell hole. A clerk at the CIA. You don’t know why you’re these characters, but it makes sense that you are. Making sense=familiar. To what degree do I want to let the audience into the movie? It’s a delicate decision. I’ll see. Self-fascination should have limits. You have a dream—you’re standing outside a grocery store looking through the window. You notice the customer is you. The cashier is you. The shopper walking down an aisle is you. The thief who’s wondering whether to rob the cashier is you. How can you look away? You feel it’s a gimmick, but you’re drawn to it. We’ll give that scene a few minutes in the movie, just to claim the audience is important.

The script is expanding in several directions with no end in sight.

The movie goes on and on, so even if there are people (most people) who’ve never heard of it, eventually they will. They’ll drop in. They can move in at any point, because frankly the movie is endless. When you know that…that’s spiritual leverage. Even a bird sitting up in a tree will drop in on the movie. A copy boy in Pittsburgh in 1943 will drop in. A barrister in a gentlemen’s Club in London will sooner or later drop in. In the middle of an earthquake, a waiter will drop in. When do you recognize your own dreams are taking place before your eyes?

The role of the psychological philosopher, ah yes. He’s the judge and the big cheese, too. He appears, on and off, to explain the connection of dreams to reality, but everything he says is false. He is the clock on the wall giving the wrong time. Eventually, he is run over by a herd of buffalo stampeding outside a shopping mall. Just seconds before his death, he is casting a short line into a coy pond in front of a Chinese restaurant. He’ll appear later as a lathe operator at a plant in Newcastle. He’s also running for a seat in the US senate from Illinois.

There’ll be people flying in the movie. Ordinary people. Up in the air. I want to capture their expressions when they know they’re flying, when they feel it. The trick is to actually get them to fly. No fake stuff. They’re really in the air over the city, no aids, no wings, no motors. Then we see their faces. In the movie, in the dream, I’ll have to convince them they can fly. It may take a while. We’ll film those conversations. Not everyone who flies laughs. Some people are afraid. Some are bored because they’re already dead. A dead person flying. Make a note on that. DEAD PEOPLE FLYING. There’s a law against it. Researchers from US medical university are studying the effect and giving interviews to the press. They babble on. They’re on television. Which sends them into orgasmic ecstasy. Hi Mom, I’m on TV. I’ve got face time. The interviewer had dead eyes, I couldn’t understand it, Mom. He was animated and dead. My favorite anchor is a dead duck. Bright and shiny and dead. Contrast the effect of flying vs. seeing a bright and shiny dead anchor. Political rally. Giant hall. Used to be a warehouse, transship point for drugs. Cut in: Lawyer for Sinaloa Cartel lieutenant arrested in Chicago claims his client made an immunity deal with the DEA and CIA. No prosecution. Sinaloa provides actionable intel on other cartels in exchange for clean drug routes up through California all the way to Chicago. The flying people appear in the hall, outside the hall, in the sky. Open space. Higher. Space starts to be endless. Other planets.

When does the film crew start to check out? After the movie is 100 hours and still going strong? Bring in new people. Let them fumble with the equipment and learn how to use it. They’re in the movie. Studio execs show up. Anger boiling over. Behind schedule and over budget. Dream figures from the studio. They believe their lives are on the line. The audience knows these people from other dreams. They’re money nomads, wandering from place to place going nuts about the accounting.

Reporters are killing each other. No one knows why. They’re chasing each other down in the street and shooting shiny Glocks. Firings at newspapers can produce this effect. He went to a good college. He understands subject-verb agreement. How on earth could you fire my son? The moon rises up in a lake and moves into the sky. But the reporters don’t die. They stand up and resume their work. There are stories to get out. The show must go on. Three fires in the Bronx. A cab drove into the East River. A docent at the Museum of Modern Art found a six-carat diamond in her jockstrap.

Mind control experiment went bad. We have to cover it. Send the boys over to the lab facility. Be careful, though. The Army might grab you. Get photos and footage. I understand they have a rhesus human hybrid. See if you can get a few quotes from him. If the vice-president shows up, put him side by side with the hybrid. Photos. Compare and contrast. Let’s do a diagram with arrows and body parts…

At some point, the movie will start to remind the viewer of reality, not through any specific effort, but because any dream taken far enough reminds people of their lives…

Make a note on that.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

My personal consulting services: belief systems

My personal consulting services: belief systems

by Jon Rappoport

May 22, 2017

(contact email: qjrconsulting [at] gmail [dot] com)

In my years of working with private clients, I’ve never met a belief system. I’ve never seen one.

“Belief system” is a term that has broad appeal, because it suggests that a person’s predispositions are organized and interlocked. This sounds like science.

“I see. My mind contains a system of mutually supporting beliefs. My mind is operating in a scientific fashion, even if the belief system doesn’t assist me in attaining my goals. So better science can bail me out. It can change the system. It can install a better system. Perhaps I can even perform science on my own mind and analyze the system and insert new and more positive components. Out with the old software, in with the new. It’s a technical fix. I make a list of better beliefs and plug them into the system…”

Absurd.

This is a fictional model that has no relation to how people change their own actions.

Basically, people change their actions by discovering something they really want to do in life. Then they figure out how to do it. They flesh out a new enterprise. Then they launch the enterprise.

“But I can’t. My belief system is holding me back.”

In my experience, that’s not true. The person is holding himself back. To put it another way, no matter how many insights a person may have about his “self-limiting beliefs,” a moment is going to arrive when he either pulls the trigger on launching a new enterprise, or he doesn’t.

It helps to understand that people who take action do it with a naked decision. They cross the line. They step forward. They don’t wait around for a sign. They don’t try to scrub away all the possible negative factors that could hold them back. They make a move.

This has nothing to do with any system.

In my consulting work, there is something I do that helps certain clients. I give them exercises that flesh out the enterprise they would launch, if they decide to do what they really want to do. In a way, it resembles a rehearsal for the real thing. Or I give them exercises that make their vision of the enterprise more vivid.

But nothing under the sun, except the person himself, will decide to launch a new enterprise, launch it, and keep it going. To think otherwise creates an obstruction, a piece of fantasy that only postpones the moment.

On the other hand, I’ve had clients who were ready to take action from the outset. They first needed to discover what they really wanted to do in life—and then flesh out an enterprise that would express that deep desire. Through dialogue and exercises, I’ve been able to help them make that discovery. And build a plan.

In these times, many people are feeling “down” because of various political developments. That state of mind won’t transport them to where they want to go. I salute the people who keep moving forward in their lives, who are determined to make their largest visions into fact in the world.

If civilization has a root reason to exist, that reason is removing obstructions for such individuals. After all, they build the best of what civilization has to offer.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.